Arte-Ato

Some of the most innovative and mind-boggling cars are not on the streets – they are helping the military pound the pavement and cross terrain around the world. From an amphibious truck that can charge over deep sea and water in a flash, to a six-wheeled Humvee with more firepower than some tanks – Chuck Norris will take viewers on a tour through the wildest vehicles in the history of the Armed Forces in this one-hour HISTORY special.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.

Liliana Cavani's "The Night Porter" is a film that, fifty years after its release, continues to spark debate and mixed reactions. The story, set in Vienna in 1957, follows doorman Max Aldorfer and his former concentration camp prisoner, Lucia, who reunite after years in a hotel.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

After Paul Oakenfold and Tiësto lift DJs to rock star icons, a new generation wrestles with excesses that threaten to upend a musical movement. Festivals replace raves, EDM "drops" take over, a company goes bankrupt and DJs "press play."

The crew of kontroll.hu traveled to Transcarpathia, Ukraine, to film among orphaned children in Munkács and lonely elders in Tiszakeresztúr. The documentary follows a single day in the life of Reverend József Sipos, a Reformed pastor whose calling extends far beyond the pulpit. From abandoned hospital wards to remote village homes, he brings words of comfort, food, and aid to those left behind in the shadow of the Russian–Ukrainian war. Just a mile and a half from the Hungarian border—a mile and a half from peace—the film reveals the stark reality of life lived on the very edge of hope.

The hesitant strains of guitar music interwoven with secondhand shops and one physical therapist's recollections.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

A documentary film that capture the moment of an old man in the dilapidated oldest cinema in Yangon reflecting his old day working in this cinema and missing the time with his beloved wife who has passed away.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.