Derniers soins

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

In the industrial and maritime city of Le Havre, Soren and Karving, two 14-year-old friends, are passionate about fishing. In conflict with authority and failing at school, fishing has become their space of freedom and a unique way to project themselves into the future: more than anything, Soren wants to become a fisherman and Karving a fisherman-reporter. As the pressure of their exams mounts, and without their diploma they can kiss their dream life goodbye, they will have to compromise between their passion and reality.

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It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.

What question has plagued mankind more than the mystery—and terror—of death? This forbidden pursuit has driven Dr. Frances B. Gröss to the brink of madness, but in his obsession, he has amassed a uniquely comprehensive collection of films that depict life in its final, grueling moments. From the savagery of cold-blooded murder to the perverse realities of war, tragic accidents, and the everyday lives of those who collect, dissect, and bury the dead, this descent into morbidity lays bare a truth that all of us will one day face.

Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.

During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.

Jon Richardson, one of Britain's most cautious men, is sent on a mission by his wife Lucy Beaumont, to investigate the things they are most scared about.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

With her short red hair, expressive face, vitality, and playful acting style, Shirley MacLaine stands out in the Hollywood pantheon. Driven by a volcanic personality and iron discipline inherited from classical dance, she has constantly reinvented herself, from the girl next door to the eccentric old lady she plays on screen today, proving at 91 that there is a place for actresses of all ages. A refreshing portrait featuring film clips and archival footage, particularly those in which this talk show regular exercises her sharp wit.

Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.

The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.