Heterodoxo - O Quarto

Two boys with different experiences and goals meet up in a sprawling African market. One is looking for a job, to get back what was stolen from him and return home. The other will do anything to avoid having to go back with his family. They become friends and together they reinvent the world.

Limpopo, dating from 1970, directed and produced by Jorge de Sousa, is a story about safaris where the protagonist was a rich industrialist from Porto. It was filmed in Lourenço Marques, in the Limpopo colony and the Maputo elephant reserve.

Sofia, a young girl in Mozambique who is studying to be a doctor, finds that her professor wants more from her than hard work. An unwillingness to compromise her values and potentially her health, may cost her a place there.

An American pilot assists the Portuguese colonial police who are battling a gang of criminals involved in drug smuggling from Lisbon to Mozambique to Zanzibar.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Tizangara, Mozambique. After the peace agreement. A mystery. UN soldiers exploding. An investigation is begun and Massimo is appointed to solve the mystery. Joaquim will have to translate, not only the words but the facts, in order for him to understand.

Based on the book by Henning Mankell (Sweden), this story takes place in Mozambique and is about a young boy, Nelio, who loses his entire family during a time of civil war. A wounded Nelio is found by a baker in the capital Mapouto; refusing medical treatment, the boy instead asks for sanctuary so he can tell his terrible tale. This he proceeds to do, starting with how the fighters arrived in his village and slaughtered many, to his captivity, his escape and his teaming with other orphaned street urchins to become their leader in survival.

In 1989, Mozambique is a country ruined by civil war. The train that connects Nampula to Malawi is the only hope for people willing to risk their lives to exchange a few bags of salt for sugar. Running slowly over sabotaged tracks, the journey is filled with obstacles and violence. Mariamu, a frequent traveler, shares her trip with her friend Rosa, a nurse who is going to her new hospital, living the reality of war for the first time, Lieutenant Taiar, who only knows the reality of his military life, and another soldier, Salomão, with whom he doesn’t get along. Amongst bullets and laughter, stories of love and war unfold as the train advances towards the next stop.

As children, a Mozambique native and a Portuguese colonialist were friends. Years have passed and Mozambique is fighting for its independence. Two childhood friends meet on opposing sides.

Dr. Emma Collins and her team are spending their third summer on the island of Little Happy studying the effect of climate change on the great white sharks who come to the nearby nursery every year to give birth. Along with the last two inhabitants of this former fishing village, their peaceful life is disrupted when a "scientific" team led by her ex-boyfriend and marine biologist Richard show up looking for three bull sharks who we soon learn aren't just any bull sharks.

A sequence of archive images filmed by Schefer's grandfather, a former colonial administrator, is the starting point for an experimental documentary on the history and memory of Portuguese decolonisation. Double or split memory: the lived and descriptive memory of the colonizers (their texts, their images) against the fabricated memory of their descendants.

Mueda was a massacre. The name is that of the village in Northern Mozambique where in 1960 it took place. The Portuguese colonial regime did the killing. In independent Mozambique, those inhabitants of Mueda who survived regularly re-enact the massacre in situ. They themselves play the roles of victims, assassins, and spectators. Ruy Guerra, now a Brazilian but born in Lourenço Marques (now Maputo, the capital of Mozambique), filmed this extraordinary creation of liberated popular culture, intercutting it with first-hand interviews on the massacre. The mix is compelling, and the grave yet joyous spectacle unique.

We follow a team of scientists on a gruelling expedition into a remote rainforest in Mozambique. They're hoping to prove that Mount Mabu's animals and insects are unique and in need of official protection.

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

"Ritual reversals" or "rituals of rebellion" are concepts used for mock rituals performed in Southern and Eastern Africa. During fertility rituals, like rain ceremonies, women in their songs and dances demonstrate obscene behaviour while they behave like men. These are secret performances open strictly for elderly men and women. Still, we were invited to record the rain making ceremony in the land of Chief Chassuka, Manika Province in Mozambique, in order to document the ritual for the younger generations. These rituals are a fading tradition probably due to the special character of the songs and dances.

The film tells this hopeful story through Dominique Gonçalves, a young African elephant ecologist who strives to empower and inspire Africans, especially women, to become responsible stewards of the environment.