Une vie en transit, ou l'illusion du provisoire

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

Anna, a twelve-year-old Ukrainian gymnast, has fled her war-torn country and recently settled in Montreal with her mother, younger brother, and grandmother. Confronted by the past, the challenges of exile, and a deep need for belonging, she seeks to rebuild her identity and regain her balance. Through her child’s perspective, the documentary explores the reality of life after war, questioning what endures and what is missing, even when one has found refuge.

On August 5, 1928, after 2 hours and 32 minutes of racing, the 71st rooster wearing the bib entered the Olympic stadium in Amsterdam. Ahmed El Ouafi Bouguéra wins the gold medal and becomes the first Olympic champion from the African continent. He achieved his feat under the tricolor flag. The start of his real marathon is underway. The history of sport extends to the history of Algeria and France. This documentary retraces the different stages of the life of this great champion, not only the history of sport but also the great story. Archival photographs and interviews mingle with the painted paintings. The series thus once again gives voice to this forgotten hero, one of the great heroes of immigration who defended France for more than a century.

In 2016, an album containing 250 previously unseen photos of Nazi officials was discovered in the USA by Stephan Hördler, a prominent Holocaust historian, who immediately understood the album's inestimable value. The album brings together photographs of a "group of friends," all from the same region of Germany, all of whom became SS men. From 1928 to 1943, the photo album allows us to follow their journey. Hördler conducted the investigation, comparing the photos in the album with other, better-known ones, the faces of these men with those of concentration camp officials, and ultimately revealed that it was at Lichtencburg that these young men were trained, a "school" for future camp executioners, and the bonds of camaraderie and informal network that would allow them to help each other, even after the war.

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In his second international bestseller, "Arc de Triomphe," author Erich Maria Remarque explores his own experience of exile and his decisive encounter with Marlene Dietrich. From Paris and Antibes to Los Angeles and New York, the documentary traces the moving genesis of this highly autobiographical novel, now considered a major work of European exile literature, and the literary legacy of the long-standing passion between two global stars.

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In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

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A conversation between Idrees Khan and his mother on how the celebrate their Trini culture in Orlando

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.