Twenty One

Follow 20-year-old Lily Hevesh — the world’s greatest domino toppler and the only woman in her field — in a coming-of-age story of artistry, passion, and unlikely triumph.

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

Seven Asian-Americans discuss their experiences with racism and the spike in Asian-directed hate crimes as a result of COVID-19.

Two Canadian women of Asian descent are contemplating eyelid surgery. Maria and Sharon, of Philippino and Korean heritage respectively, believe their looks–specifically their eyes–get in the way of how people see them. Layering their stories with pop culture references to beauty icons and supermodels, filmmaker Ann Shin looks at the pain that lies deep behind the desire for plastic surgery.

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Documentary which exposes the truth of how 'human guinea pigs' were used in government-funded radiation experiments without their knowledge or consent. It uncovers a series of breaches of ethical codes as scientists pursued military, scientific or medical knowledge. Includes archive footage.

A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.

Three family cope with having lost their only child in 2008 deadly Chinese earthquake.

A report on the demographic impact of China’s one-child policy.

A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.

A New York schoolteacher experiences a midlife crisis when, in quick succession, her husband leaves, her adoptive mother dies, and her biological mother, an eccentric talk show host, materializes and turns her life upside down as she begins a courtship with the father of one of her students.

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

While vacationing at a remote cabin, a young girl and her two fathers are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

An organ grinder (Orestis Makris) loses his wife from complications during birth. Distraught by her death, he refuses to take care of the baby and gives it to a family (Lavrentis Dianellos and Nitsa Tsaganea) to raise. The child (Jenny Karezi) is raised comfortably, and her natural father is too embarrassed to meet her - until she falls in love with a poor musician (Petros Fysoun), and her foster parents refuse to accept their relationship.

Yan is an illegal second child born during the One-Child policy. To avoid government punishment, Yan's parents hid their oldest daughter in the countryside and raised Yan as a girl. Now a young adult, Yan struggles with his gender identity and being treated as an outcast in a conservative society. His sole escape is drifting his father's old taxi through abandoned parking lots.