Candombe - Visiones del Ayer, Hoy y Mañana

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

The documentary, filmed in England in autumn 2020, sheds light on the genesis and background of the social drama.

Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.

Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.

The Soul of Bossales is an immersion in the heart of popular Haitian culture whose spirituality and creativity have been forged by a surge of freedom and identity affirmation. Foukifoura, Édris, Charlotte or Ramoncite, “Bossales” characters with committed artistic and political acts, give us the gripping story of a very harsh reality: material and health precariousness, political violence, neo-colonialism.

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

Mother India is home to many castes, tribes and religions and one common factor that brings this diverse country all together is Jewelry. Come explore the deep history and culture of the jewelry of India dating back more than 5000 years. As we explore the history we also take you into Bangalore, India and talk to local Jewelry Stores and Jewelry Artisans as they share their stories and their family history of their involvement in jewelry going far back into their family ancestry.

A whimsical blend of live action and animation, "Saludos Amigos" is a colorful kaleidoscope of art, adventure and music set to a toe-tapping samba beat. From high Andes peaks and Argentina's pampas to the sights and sounds of Rio de Janeiro, your international traveling companions are none other than those famous funny friends, Donald Duck and Goofy. They keep things lively as Donald encounters a stubborn llama and "El Gaucho" Goofy tries on the cowboy way of life....South American-style.

The life of Shona mbira player Gwanzura Gwenzi coexists in both the traditional and modern worlds: he works in the city for a large western corporation; at his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira. His sister Francisca is the family medium for the spirit of Kaodza, their great-grandfather. The highlight and centerpiece of the film is a bira, perhaps the only one ever completely captured on film. We see the various stages and liturgical components of the ceremony, culminating in the arrival of the spirits late at night. Francisca’s daughter, now-famous mbira player Stella Chiweshe becomes possessed by a snake spirit. Kaodza arrives through Francisca, and the family confers with the spirit in an extraordinary scene that shows how ancestors interact with the living. (Description credit: Villon Films)