Design for Death

The Katakai Festival, one of Niigata and Echigo's Three Great Fireworks Festivals, has a 400-year history. Held annually on September 9th and 10th in Katakai Town, it features fireworks dedicated to Asahara Shrine, filled with wishes and prayers. Highlights include Japan’s largest 'San-shakudama' and the world's largest 'Yon-shakudama,' which impress spectators with their grandeur. The small hill behind the launch site amplifies the fireworks' powerful bursts. This work condenses the festival's two-day fireworks displays. It captures the fleeting beauty of each firework, the vibrant rapid-fire starmine displays, and the grand 'San-shakudama' and 'Yon-shakudama' that fill the night sky, creating an emotional and resonant experience. Filmed in ultra-high-definition 4K/8K60P, it faithfully reproduces the grand fireworks and fine sparks. Enjoy the immersive experience with high-resolution audio at 96kHz24bit, emphasizing the fireworks' explosive sounds and echoes.

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This film was made by the U.S. government during World War II to show its young servicemen the results of "fooling around" with "loose women" overseas. Actual victims of such sexually transmitted diseases as syphilis and gonorrhoea are shown, along with the physical deterioration that accompanies those diseases.

A short film commemorating the 1927 doll exchange between the US and Japan organized by the Committee on World Friendship Among Children

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Short documentary about the aftermath of the Fukushima nuclear disaster.

On September 6, 2017, the Catalan regional government called an independence referendum. This propagandistic documentary by the Catalan government collects the experiences of an illegal referendum that led to the virtual independence of Spanish territory and the biggest constitutional crisis in Spain since 1981

The Japanese volleyball players called the “Oriental Witches” are now in their 70s. From the formation of the team at the factory until their victory at the Tokyo Olympics in 1964, memories and legends rise to the surface and blend inextricably.

Director Koreyoshi Kurahara chronicles a year in the lives of Flep and Leila, two foxes living in Hokkaido, Japan's northernmost island, where the freezing winters are long and the mild summers short. After Flep defeats another male fox to become Leila's lifelong partner, they mate and raise a litter of five kits. With their family complete, the group must contend with human interference in their habitat, such as chicken farms and snowmobiles, and struggle against the debilitating cold of winter. The animals experience both triumph and tragedy, as the law of this harsh land proves – only the strong survive.

In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.

Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.

A Japanese family having tea.

The earliest surviving Japanese film showing the martial art of kendo.

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”