27 Shots of a Late Heartbreak

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.

A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.

Max Devereaux and Suko Pyramid documentary about the making of their first three albums together as a duo and the story of their inspiring, international collaboration. Produced entirely remotely, featuring never-before-seen photos, videos and audio as well as interviews with close collaborators from all over the world.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.

We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.

A documentation of artist JP Meldrum as he prepares for an experimental gig with noise-rock drummer Maxwell Paterson. A concert film, a rehearsal, and an exploration of Victoria outlets and ways-of-creating beyond the traditional spaces.

Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.

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Hello ladies and gentlemen. In this video, Matthew is going to be showing Dark Souls from start-to-finish (or as much of it as he can) and commentating on it as he goes.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?