Kesari Chapter 3

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.

A newer version of the popular love story of Heer (Sridevi) and Deedho (Anil Kapoor), who calls himself Ranjha after leaving his house and living incognito in Heer's village as a labourer in her father's (Shammi Kapoor) house. Heer and Deedho were childhood sweethearts, separated because of family animosities, which have grown over the years and kept on the boil by Kaheda (Anupam Kher), whose leg was irreparably fractured by Deedho's family and friends.

Bharat Nagar is a city terrorized by gangsters and corrupt politicians. An honest police officer tries to restore law and order to it.

Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.

Based on a real-life historic court case, a bold journalist questions a revered leader's immoral behavior.

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

Uma, the eldest daughter-in-law, strives hard to bring her estranged family together and keep her home intact.

Pooja lives with her doctor husband and a young son. Her son becomes seriously ill and does not respond to any medication, her husband wants him to be moved to a hospital for further .

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

Based on Bengali story “Ghar Bari” by Dibyendu Palit, a former revolutionary who has deserted the movement lives in fear of running into old colleagues. Meanwhile he pushes his wife into modelling, and later seamier projects, with tragic consequences.

Rahul, the director of a successful dance troupe, considers Nisha his best friend, though secretly, she is madly in love with him. He then falls for Pooja, who is engaged to Ajay.

The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.

Greedy innkeepers resort to robbery and murder after their son leaves to seek a better life.

In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.