Quatro em Linha

Legendary photographer and director Anton Corbijn is responsible for many of the most indelible and important images of the past two and a half decades. His recently released book U2 & I is a photographic retrospective of his 25 year collaboration with U2. Later this year, Anton will direct his first feature film, Control, based on the life of the late Joy Division lead singer Ian Curtis.

In 2016, an album containing 250 previously unseen photos of Nazi officials was discovered in the USA by Stephan Hördler, a prominent Holocaust historian, who immediately understood the album's inestimable value. The album brings together photographs of a "group of friends," all from the same region of Germany, all of whom became SS men. From 1928 to 1943, the photo album allows us to follow their journey. Hördler conducted the investigation, comparing the photos in the album with other, better-known ones, the faces of these men with those of concentration camp officials, and ultimately revealed that it was at Lichtencburg that these young men were trained, a "school" for future camp executioners, and the bonds of camaraderie and informal network that would allow them to help each other, even after the war.

Heidi is a happy, outgoing orphan who lives with her grandfather in the idyllic scenery of the Swiss Alps. Heidi makes friends quickly and people know they can always rely on her for help. She loves the freedom of life in the mountains, but she also learns how to take on responsibility. Her cheerful nature helps to show others how to handle the challenges of everyday life and still be happy. Heidi’s honesty and natural charm inspires both courage and a joy of life in everyone she meets.

Saraswathiyamma is the head of a noble family that treats her servant Krishnan as one of her own sons. When her relatives conspire to sell her house, she and Krishnan set out to save it.

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

In order to learn how to be responsible, two wealthy teen sisters are forced to work in the family business by their exasperated father. When company funds goes missing, it's up to the girls to save the day.

The life crisis of Kimia and Farid, who have been married for twelve years, destroys the world of their children. Children who know nothing but kindness in life.

24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

A slice-of-life documentary following Ulla, a blind woman adjusting to life after eye removal surgery. With the help of her guide dog, Laina, she navigates Helsinki while pursuing a prosthetic eye and a deeper understanding of photography.

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It isn't easy to find a dream to chase when you're young, but Mugiko has one: she can't wait to become an anime voice actress. Saving up for classes while she works part time in a manga store, she lives with her older, gambler brother after her father's death. When the mother she never knew turns up out of nowhere and moves in, it only causes irritation for the aspiring otaku. But when her mother just as quickly disappears, it leaves Mugiko (or "Sweet Pea") searching for answers, bringing her back to her mother's hometown to discover what happened to her mother's own dream.

When a young boy discovers a Bigfoot monster may be lurking in the woods behind his house, he must face his fear to uncover the truth.

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

Nancy Taylor, a divorced mother of three, feels especially lonely during the holidays. All she wants for Christmas is to meet a nice man - even just a nice compliment would make her day. Sensing her sadness, Nancy's little girl, Emily, has a plan to make her mom happy again. She shares her Mommy's wish with shopping mall Santa, Benjamin Armstrong. And Benjamin, who is also a struggling songwriter, knows exactly the right words to say.