The Ankou, the Child and the Bandits

Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

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The Maclean brothers, Paul and Norman, live a relatively idyllic life in rural Montana, spending much of their time fly fishing. The sons of a minister, the boys eventually part company when Norman moves east to attend college, leaving his rebellious brother to find trouble back home. When Norman finally returns, the siblings resume their fishing outings, and assess where they've been and where they're going.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

Attilio is a 17-year-old boy living in the Traiano neighborhood of Naples. With his father having just been released from prison, in order to earn some money he agrees to be a guardian for Anastasia, a young prostitute from Eastern Europe. Progressively a feeling arises between the two that will push the boy to make choices.

Bianca is 23 years old, and it already feels like too much. She has left her parents' home and is supposed to attend university, but she never goes. She has a few specific obsessions: the passing of time, cocaine, and Angelica. Since they started living together, everything seems to move faster, spiraling downwards. Even their friendship stumbles into addiction and becomes confused with love. Bianca keeps a notebook, jotting down notes for her books. Still, she wishes she could write everything in it: that youth is painful and already slipping away, that friendship breaks your heart, and that we constantly lose everything — and yet, maybe, in the end — between the night streets of Rome, the boys of Naples, and the tree that stands silently, visible through the window — nothing will be truly lost.

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Jim, a discharged sergeant, arrives in New York to find his mother has died. Grieving, he meets Elena at a bar. She offers him a place to stay, but he's too tired to respond. The next morning, Jim's childhood dream comes true.

The peaceful balance of a family living in seclusion on an island at the mouth of the Po River is shattered by the unexpected arrival of two fugitives on the run after a robbery. The idealistic family, determined to guide the bandits back to the right path, decides to hide them from the police. This forced coexistence, marked by suspicion, seduction, and subtle deceptions, sparks a clash between two opposing worlds: the utopian purity of the family and the ruthless cynicism of crime

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The landowner Bergmann and his wife hire Annie as a maid, but when the girl gets pregnant by a relative of her master, they dismiss her. Only Johann, the coachman, tries to help her. The child grows up without his mother at the Bergmanns'. A few years later, Johann helps Annie kidnap her son. But, discovered, he is condemned and imprisoned. After serving his sentence, the coachman retaliates by burning the estate. Annie, who tries to save her son, is killed.

Two strangers meet on a bridge where they have both come to commit suicide.

Bank director Hardner, a cunning businessman who hides his unscrupulousness behind a mask of friendliness, tries to destroy a family.

The aging singer Clarina receives a new engagement from a cabaret called the Maison Mouche and must evade the advances of several overbearing men.

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

A girl from a small village goes to the big city to realize her dream of driving trains.