Three Summer Days

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

An unstable young woman pines for the ex-boyfriend who nearly beat her to death – and who has mysteriously disappeared.

Gabby and Marvin's wedding weekend turns dramatic instead of joyful as Marvin's past interrupts their big day. Marvin has to reconcile with his father to please his soon to be wife. His ex-girlfriend resurfaces, hellbent on disrupting the already planned wedding between the soon to be couples.

Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.

While on a holiday, Raja meets and falls in love with Rani but breaks off the relationship due to family compulsions. Later, when he has all but given up hope of seeing her again, he gets a surprise.

When Moriah gets into a steamy and super-secret romance with a famous basketball player, she realizes he is playing a dangerous game with her that she can't win.

Married college professor Michael Lane falls in love with one of his students and hatches an elaborate scheme to dispose of his wife, Elizabeth. His murder plot goes as planned. However, he soon receives an anonymous note: "I know what you did, murderer!" Prof. Lane frantically tries to discover who knows his secret...

A will forces brothers Adolfo and Federico to live together for a year. Though both are married, they sleep with each other's wives.

During a lecture tour to London, an American psychologist decides to look up her hitherto unknown half-sister and find out about her father who died 10 years earlier. But as she delves into the truth surrounding her father's death she encounters a family that has created a wall of secrecy and lies.

Aisha decides to take leave from the burdens of the house, and when her husband (Abu Bassam) refuses, she leaves the house. Then he and his son (Bassam) and his daughter (Mona) are forced to do all the homework, but they find it very difficult in it and miss the presence of their mother (Aisha).

A father with his younger son moves to Canada along with his family to live with his Canadian son and his family. Instead of adopting Canadian Culture, They started imposing their own way of living. The problems start when the culture of both family collides.

Mads, a successful marketing executive on a trip to London, and a chance encounter with Joan. Mads returns to his life in Denmark. But for Joan it doesn't end there.

A child runs away after her mother treats her badly.

Bineta, a young girl orphaned by her mother's death, faces even greater tragedy when her father is poisoned by his own family members, who are after his inheritance. After her father's death, she is thrown out of her home by her uncle. However, she is taken in by a kind woman who supports her and helps her continue her education. Despite the challenges, Bineta's determination allows her to succeed and build a stable life, fulfilling the dreams her father had for her.

Based -- loosely -- on Leo Tolstoy, this film starred feted stage star Nance O'Neil but is rather better remembered as Theda Bara's follow-up to the sensational A Fool There Was (1914).

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.