Tekuanes - Guardianes del Agua

In a world drifting further away from participatory food production, relying instead on large corporations to feed us, this film asks “What do we lose by giving up our responsibility to produce food?”

From Sierra de las Minas to Esquipulas, explore Guatemala's cultural and geological wealth, including ancient Mayan cities and other natural wonders.

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

Jorge Luís Altuve is a young Guatemalan, passionate about mountaineering and a lover of his country. After the COVID-19 crisis and the lack of transparency in the execution of funds by the government of Alejandro Giammattei, he raised a wave of indignation that led thousands of Guatemalans to demonstrate. Jorge Luis attended the central square, when PNC agents began to intimidate the peaceful demonstrators. He and other citizens were arrested without having carried out an act of vandalism.

Claudia Paz y Paz is the head of the Guatemalan Public Prosecutor’s Office. We follow her during her four-year mandate as the Attorney General of one of the world’s most dangerous countries. This documentary closely observes her attempts to break the downward spiral of a society where drug cartels, corruption and violence have become part of daily life. She manages to improve the country’s safety and justice issues but is met with much resistance. Her commitment to the rule of law is her strength as well as her destiny. At what price do four years of service as the Attorney General of Guatemala’s murder paradise come?

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.

In this Traveltalk series short, we visit a region in Guatemala where the native Indian tribes live like their ancestors, without using most of the benefits of modern man. They not only grow their own vegetables and catch animals to eat, they also cultivate the plants they need to weave fabrics and make natural dyes from various berries and seeds.

Focuses on 1992 Nobel Peace Prize winner, Rigoberta Menchu, as she discusses the lack of human rights for the indigenous people of Guatemala and her commitment to the struggle for a more egalitarian society.

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.

Five Years North is the coming-of-age story of Luis, an undocumented Guatemalan boy who just arrived alone in New York City. He struggles to work, study, and evade Judy - the Cuban-American ICE officer patrolling his neighborhood.

For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.

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