Aunt Iki

Arctic Tale is a 2007 documentary film from the National Geographic Society about the life cycle of a walrus and her calf, and a polar bear and her cubs, in a similar vein to the 2005 hit production March of the Penguins, also from National Geographic.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Documentary about the making of ’Spring Break Zombie Massacre.’

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When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Friends and colleagues remember Norwegian actress Aud Schønemann in a documentary celebrating her life. The documentary was broadcast on Norwegian public broadcasting network (NRK) less than three months after Schønemann's death.

In the industrial and maritime city of Le Havre, Soren and Karving, two 14-year-old friends, are passionate about fishing. In conflict with authority and failing at school, fishing has become their space of freedom and a unique way to project themselves into the future: more than anything, Soren wants to become a fisherman and Karving a fisherman-reporter. As the pressure of their exams mounts, and without their diploma they can kiss their dream life goodbye, they will have to compromise between their passion and reality.

The life and tragic death of Whitney Houston.

The bombings recently carried out by the Revolutionary Breton Army (ARB) have drawn attention to the political and cultural history of the Breton movement. The writer Roparz Hemon is one of its emblematic figures. He was born in Brest in 1900, and died in Dublin in 1978 after thirty years of voluntary exile in Ireland following his trial for collaboration at the end of the war. He had indeed organised the first Breton-language radio programmes under German control. The work of this poet, novelist, and translator of Shakespeare and Cervantes is dominated by the theme of the dream.

One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?

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What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

In 2023, there were an estimated 30.6 thousand homeless people. This number continues to rise at an alarming rate. One of them is the headstrong Ruurdt. He has difficulty getting help and cannot adapt well to our society. He is now also in danger of losing the houseboat that was assigned to him. 'Ruurdt' is an intimate portrait of a man on the fringes of our society.

A slice-of-life look at how kids in the former mining town of Silverton, Colorado stay busy in the summer by “mining” and selling rocks to tourists. Through this time-honored rite of passage, these “rock stars” learn history, social skills, and become little entrepreneurs while delighting tourists from around the world.