Party! Party! Party! – Der lange Tanz des Techno

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Roma Illegale talks about the birth and evolution of the rave party scene in Rome through the 90s. It describes the introduction of techno music in the Italian squat scene and the politicisation of parties, the implementation of the TAZ concept in raves with the reproportion of abandoned spaces, the way awareness was increased into the suburban youth generally indoctrinated by neofascism.

Witness the rise and fall of The Warehouse, a rave venue from Plymouth and times gone by now reduced to a derelict shell. We explore its history, its people and the future. An amateur filmmaker-explorer finds the building in an empty derelict state, long after the prosperous life and energy it endured through the 90s. Through a combination of archives and stories of people who lived there, the film explores through the medium of analogue what once was and how even a now silent derelict shell can become the centre of the universe.

A portrait of a group of youngsters in Agger at the west coast of Jutland. They listen to the raw metalrock. They dress in leather and rivets. And that doesn't exactly lessen the generational divide.

The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.

Carl Cox: One man, a few friends & 10,000 party people! UDC, known for Dance Valley, Impulz, HQ,Concept and 4 Elements, proudly presents Carl Cox & Friends where the big man play a six-hour set alongside friends in the Ahoy, Rotterdam. The entire party centres around Carl and he will announce who his DJ friends are that will be lining-up alongside him. On the subject, Carl said: There is nothing better than sharing good music with friends. When we decided to do this event, I really wanted to make it something personal, and also share it with my friends. What you will experience on this evening is something never done before. The show has been designed from the bottom up, costs have been thrown out of the window and the priorities - sound, production, lighting, and of course music - have taken centre stage!

In a remote desert town in South Africa, a crew of fearless kids craft wire cars from scrap metal to race in the world’s only WireCar Grand Prix. A joy-fuelled drive against isolation and inequality.

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

An explosion in the underground music scene is met by massive investment into Tucson, Arizona. Documentarian, Ty Besh, followed the scene from 2016 to 2018 showing the vast changes that happened to the people, venues, and scene in just 2 years. This Documentary serves as an archive and also a reminder to everyone in the DIY scenes across the world that moments come and go.

Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.

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