Cold Refuge

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

San Francisco Bay Area salsa and Latin jazz performers and audiences struggle to maintain culture, creativity and community in the face of powerful socioeconomic and demographic changes. This fascinating history of the Bay Area Latin music scene explores the post-WWII growth of California’s multi-ethnic music community, the 1950s Mambo craze, the 70s heyday of Salsa, and subsequent expansions of the art form. In today’s fast-changing environment, despite decreasing audiences and venues, Bay Area performers are transforming the future of the Afro-Latin music and dance through education and outreach.

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

Two weeks to go until the qualification race for the 2024 Olympics in Paris. A young Polish swimmer (Jan Kałusowski) prepares for a chance to compete at the most prestigious sports event in the world.

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

On a fateful San Francisco night in the early '60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda's dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.

For decades, Barbara Dane lent her stellar singing voice to social-justice movements in the Bay Area and beyond, garnering an impressive FBI file along the way. Deeply respected by fellow luminaries in folk, blues and jazz, Dane built a far-reaching legacy with music, activism, and love. As Maureen Gosling’s celebratory portrait reveals, early solidarity with those suffering racial and economic injustice sparked Dane’s passion to use her talent to sustain marginalized people. Rather than chase stardom, she followed her own maternal instincts to root herself and her family among generations of activist performers. Bonnie Raitt, Jane Fonda and other notables attest to Dane’s unique way of shaping and being shaped by tumultuous social revolutions from the 1950s on. Nearing 90, Dane triumphantly tours with piano virtuoso Tammy Hall to celebrate a life of staying awake and connected, true to her ideals. One star among many illuminates so much.

The grim news made international headlines: On August 21, 1971, prison authorities discovered a gun on famed Soledad Brother author, activist and San Quentin inmate George Jackson. A shootout ensued, killing Jackson, two other inmates and three guards, and wounding three more officers. Authorities asserted that only lawyer Stephen Bingham could have smuggled the weapon into the prison. Fearing that a conviction for abetting the guards’ deaths would lead to his own murder, the attorney fled, beginning a long, strange odyssey of pseudonymous exile. Strange indeed for the Yale-graduate scion of politically prominent New England elites.

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Bay Area rapper Mac Dre began his career at 18 and quickly became an influential force in early west coast hip-hop. In 1992 he was convicted of conspiracy to commit bank robbery when his lyrics were used against him in court. He left prison with a new lease on life, founded an independent record company, and then was murdered just when he began to emerge as a star. For the first time ever, his mother Wanda reveals the true experiences of a hip-hop legend.

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.

Nearing the end of his life, Adolph Gasser looks back on a seventy-year career as a world-class camera repairman, WWII veteran, inventor, and best friend of nature photographer Ansel Adams, contributing developer of the first Nikon camera and a sales/rental/camera repair store owner who empowered other prominent Bay Area visual artists and inventors to succeed. As eminent domain, the internet and changing technologies threaten everything he has built, he struggles to find a way to keep moving forward. Inspired by his unique stories and abilities, filmmaker and professor John C. Aliano follows him over the course of several years and reflects on his own career trajectory.

A poignant insight into the world of sport, where talent, passion and endurance mean everything, but give no guarantee of success.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).