Winning of the West

Orphaned and left in the desert as an infant, Evil Roy Slade grew up alone—save for his teddy bear—and mean. As an adult, he is notorious for being the "meanest villain in the West"—so he's thrown for quite a loop when he falls for sweet schoolteacher Betsy Potter. There's also Nelson L. Stool, a railroad tycoon, who, along with his dimwitted nephew Clifford (Henry Gibson), is trying to get revenge on Evil Roy Slade for robbing him.

A stranger comes to town looking for his estranged wife. He finds her running the local girls. He also finds a town and sheriff afraid of their own shadow, scared of a landowner they never see who rules through his rowdy sidekicks. The stranger is a town tamer by trade, and he accepts a $500 commission to sort things out.

After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.

A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for the rape and murder of his wife.

When Rangers Lucky and his brother chase outlaws, the brother is killed. To find the killer Lucky quits the Rangers and robs the bank. This gets him into the outlaw gang where he learns of their next raid. Sneaking out at night he tells his girl friend who must now convince the Sheriff that Lucky is not an outlaw and that he must sent his men out to catch the gang.

U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.

A bounty hunter trying to bring a murderer to justice is forced to accept the help of two less-than-trustworthy strangers.

A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.

Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.

The irrepressible Donald Barry is twice falsely accused of murder in this typical low-budget but well-mounted Republic Western. Barry plays Jim Randall, a lawman assigned to investigate a series of gold shipment robberies. Arriving in the middle of a hold-up, Randall finds himself accused of killing the driver (Yakima Canutt). Wells Fargo agent Cal Chambers (Milton Kibbee) vouches for his innocence, however, claiming him to be a noted geologist. Along with several of the prospectors, Jim devises a plan to prove that Jud Parker (Harry Worth) is using his dummy mine as a cover for stealing ore.

Wild Bill Hickock (William Elliott), aka The Peaceable Man, meters out justice in the tough town of Deadwood in this highly fictional western from Columbia. Unlike the historic character, Elliott's gunfighter survives his encounter with the South Dakota hellhole, where he arrives to aid beleaguered livery stable owner Clint Wilson (Richard Fiske) and his sister, Madge (Dorothy Fay), in their battle against self-appointed town czar "Flash" Kirby (Arthur Loft). But before he gets that far, there is a little matter of proving Kirby guilty of wrongdoing and to achieve that, Wild Bill earns the enmity of both the Wilsons.

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.

Johnny Mack Brown and Raymond Hatton return to the screen as saddle pals Nevada and Sandy in Monogram's Pals of the Border. In this one, our heroes are US marshals, hot on the trail of cattle rustlers.

U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.

Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.