Father to Son

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

In 1983, the director’s 24-year-old sister developed symptoms of schizophrenia. Her parents couldn’t accept it—refusing to seek treatment for their sick child, they confined her to their house, to the point of even fixing a padlock on the front door to lock her in. Her younger brother, suspicious of his parents’ actions, began filming the family in an effort to openly question them. A family conflict that lasted over twenty years.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.

An interesting talk with Dr. Eusebio Rubio-Aurioles, about the current state of psychotherapy.

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

Behind the closed doors of the Copenhagen-based women's shelter, the women and children are slowly recovering after having escaped domestic violence. Day by day the women are processing their traumas, building confidence and slowly understanding what it takes to break the cycle of violence.

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

This compelling film represents a rare record of an original genius. In Jung on Film, the pioneering psychologist tells us about his collaboration with Sigmund Freud, about the insights he gained from listening to his patients' dreams, and about the fascinating turns his own life has taken. Dr. Richard I. Evans, a Presidential Medal of Freedom nominee, interviews Jung, giving us a unique understanding of Jung's many complex theories, while depicting Jung as a sensitive and highly personable human being.

Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?

What if your father murdered your mother? Maeve, Roser, and sisters Perla and Aurora each lost their mother, their father, and their safe home in a single day. Director Sara Kolster, in collaboration with expert Perla Joy, tells their stories about that single day, about how it could happen, but especially about what came afterward. Using tape, they reconstruct the contours of their childhood home, as it was before it became a crime scene, even though it served as a blueprint of their childhood.

Documentary on the life of late Mother Love Bone singer Andrew Wood.

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