Bio-Sensor

In this 90-minute epic (comprised of community sourced experimental animation from the Hellavision Television Network) - the story follows Clover, a carefree spirit who joins a party go on an adventure as they try to pull themselves from financial despair by fulfilling the Bug King’s Debt Quest.

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This promotional tape for ReBoot was created in 1990 by The Hub (Ian Pearson, Gavin Blair, Phil Mitchell) and Limelight, the production company trying to get ReBoot off the ground. The Bob animation tests were created on Alias computer systems. The Megabyte/Hacker segment is from an even earlier animation test created on the same FGS system used to create Money For Nothing. This footage was transferred from D1 video tape (originally recorded from VHS) and restored by the ReBoot ReWind crew: Jacob Weldon, Raquel Lin, Mark Westhaver & Bryan Baker.

Meet ruthless Ryoko, mind-blowing Misty, and heavenly Hikary in a stunning series of computer-generated femininity. This Volume contains, A Jellyfish Day finds the blonde bombshell Hikary starring in a music video about her private passions. Ryoko inhabits Yamag's Garage, an arena of "Pure Mind," "Love," and a very "Beautiful Face." And Misty mesmerizes in a music video in which she brags: "I'm your magnet of love, and I'm here to serve you."

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

In this animation that blends 35mm film illustration, digital art, cartoon, collage, computer graphics, and generated imagery, a dwarf comet crosses galaxies in search of its lost companion until it reaches the limits of its reality.

No description available.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

“Sweet Spot” is an experimental animated short film that uninhibitedly explores the dialog between the work and its authors, Jorge Ribeiro and Paulo Patrício, whose points of view and creative approaches, both in terms of cinematographic language and ways of being, are quite different. Through this duality, and starting from a shared but at the same time individual process, the directors seek to understand at what point the short film they are making together reaches its “sweet spot”. In other words, the ideal point at which the work is considered finished.

A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

The soaked soil, Taking the shape of a mountain, Our river, Flows into yesterday's late sun, Fish try to shun their reflection, Bubbles wrapped the words filling up the fish tank, Fish die in between the gaps of language; Banana leaves brush away the dust on the table, Lungs that refuse to be cleansed, Thermos is a container for storing the shadow of the mountain, The inner shell broken, The mountain walks away in the night; Everything is collected into a shriveled wooden drawer, Bamboo baskets piled on the concrete floor, swaying, The grey soil flowing, Filling up all the old boundaries The dried earth needs no expression, All decisiveness and hesitation lie underneath the smooth surface