Making of: Airbus A350

Going from 0 to 150 mph in three seconds, withstanding three Gs of force, and taking off from what's often called "the most dangerous place on the planet" are just parts of everyday life for an aircraft carrier pilot-and it's no different for the crew aboard the USS Enterprise. After being stationed in the Middle East for a year, these pilots have seen heavy action in Afghanistan and Iraq. Now, finally, they're returning home. With amazing personal stories and real-time footage from missions, this is an exciting insider's peek at life onboard a wartime aircraft carrier.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

The programme charts a BEA Trident 1C from AMS to LHR

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.

Megacities is a documentary about the slums of five different metropolitan cities.

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

Air Force One is a marvel of military engineering. For more than half a century, the presidential fleet of armed jumbo jets has served as a flying fortress for America's commanders-in-chief, carrying them in victory, in shame, and even death. Join us as we take an unprecedented look at the world's most famous aircraft: how it was born, how it has developed over the decades, and the role it has played in historic events, from the death of Kennedy to the 9/11 attacks to a morale-building, surprise Thanksgiving visit to Iraq, and more.

A look at the confrontations between American and Soviet aviation over the ocean during the Cold War, through the recollections of direct participants and eyewitnesses.

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

Documentary about making cheese in the Netherlands.

An original portrayal of a small Czech village where – as the locals put it – an UFO has landed in the form of a kilometre-long silverish factory: a Korean Hyundai automobile plant. The village, hitherto famous mostly for its sauerkraut and the “Radegast” beer was thus turned into an industrial zone – the largest greenfield investment project in the Czech Republic’s history. Nonetheless, for a long time many farmers resisted selling the land upon which the factory was now standing. Eventually, they all succumbed under the pressure from the neighbours, and even the anonymous death threats. The filmmakers returned to Nošovice two years after the dramatic property buyouts, at the time when the factory has just started churning out cheap cars. Combining the perspectives of seven characters, they have composed a portrayal of a place suddenly changed beyond recognition that is playful and chilling at the same time: a politically engaged absurd flick about a field that yields cars.

Jana Beller won the TV show „Germany's Next Top Model“ in 2011. Today she is a businesswoman and runs two branches in Bochum of one of the most modern backshop chains in Europe. Model measurements and pastries - does that fit together? And how! The young entrepreneur gives insights into the business of sweet and salty snacks. Shock-frozen, the breads and desserts are delivered from a central production to the individual shops and sold to hungry walk-in customers.

In Portugal, the daily life of a bronze foundry, specialized in the semi-industrial production of spare parts for the naval field, is compared with the freedom of spirit characterizing the "pottery of monsters" on a village square where everyone gathers.