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Paropakari is a 1970 Indian Kannada language romantic drama film written and directed by Y. R. Swamy. It stars Rajkumar and Jayanthi. It revolves around the story of a self respecting young man who wins a wager with his wealthy father. The film was produced under Bhagavathi Productions. It had a very successful soundtrack composed by Upendra Kumar.

Baalu Belagithu is a 1970 Indian Kannada language drama film written and directed by Siddalingaiah. It stars Rajkumar, Jayanthi and Bharathi.[1] The film was released under Chitrashree International banner and produced by K S Prasad, B V Srinivas and A S Bhakthavathsalam. It was remade in Telugu as Manchivadu, in Hindi as Humshakal and in Tamil as Oorukku Uzhaippavan.

Bhale Jodi is a 1970 Indian Kannada language drama film written and directed by Y. R. Swamy. It stars Rajkumar in dual roles with Bharathi and Dinesh in other lead roles. The film was based on the story written by Jawar Seetharaman and was produced under Rajkamal Arts banner. The movie was remade in Telugu in 1972 as Bullema Bullodu starring Chalam and in Hindi in 1973 as Jaise Ko Taisa. Rajkumar appeared as Echchamanayaka in a small drama sequence in the movie.

Stoic and heartbroken, Einar Gilkyson quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley. One day, the woman he blames for the death of his only son arrives at his door broke, desperate, and with a granddaughter he's never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure, and forgiveness.

30 years after the events of The Brothers McMullen, romantic entanglements plague a now fiftysomething Barry McMullen and his twentysomething kids, as well as his brother Patrick and widowed sister-in-law Molly, who are also facing similar unexpected hurdles.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

To-il tutors high school student Ho-hoon, but she soon falls in love with him and gets pregnant. The film unfolds a series of playful happenings when To-il embarks on a journey to find her birth father for the wedding, though she is living with her step-father.

Lebanon, Mother's day. Joey (20 years old) is preparing a surprise diner for his mom who is always abroad. but today is a special day because she is here, but not willing to stay till the evening, until they celebrate. Tortured with the idea of her leaving again, Joey tries to convince her mom to stay. But the mother is here for another reason: pushing her son to tidy his house and to accept change.

Noé comes into sixth grade at the same time he discovers a new city and a new house where he has just moved with his father, Marc. Coached by him, Noé takes intensive training of combat sport. And Mark does not hesitate to put him in a situation of attack. They are in danger, he must be prepared to respond to any aggression. While keeping the secret of his "double" life, Noé has to learn how to find a place in his new college. He becomes friend with Marine, a young girl full of energy. Noé discovers a world whose vision was shaped by his father so far. A father so near and yet so mysterious. Between them there is a history of complicity and confrontation.

In Julius Amédée-Laou's biting dramedy, a supposedly joyful interracial wedding descends into chaos when long-buried prejudices and family secrets rise to the surface. Told through the cocky lens of the bride's younger brother, what begins as a lighthearted summer affair turns nightmarish as scandal threatens to destroy the unlikely couple's big day.

The discussion between two brothers, Elías and Gabriel, will trigger a dilemma that will force one of them to make a decision.

When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.

In the wake of their parent's separation, three siblings spend the summer in the south of France with their estranged Grandfather. In less than 24 hours, a clash of generations has occurred between the teenagers and the old man. During this turbulent summer, both generations will be transformed by one another.

Lazy Boy unfolds in long, unhurried takes that mirror the stillness of its subject: a full-time furniture salesman in the South Bay of Los Angeles, working through the quiet despair of an economic recession. With customers scarce and sales impossible, the film lingers on stalled transactions and empty showrooms, transforming the monotony of labor into a portrait of endurance.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

Mangalya Bhagyam is a 1974 Telugu family-drama film directed and produced by B. Padmanabham. The film starred Bhanumathi, Jayanthi, and Subha, and Sreedhar in the lead roles. M. Muthu composed the film's songs.