Smile

Ryan is a popular member of his community. He’s charming, helping and a social butterfly but Ryan has a secret.

Fact-based story about a woman whose life is shattered by a poetry-spouting stalker who manages to evade her police protectors.

A high production fan film directed and produced by Shizuo Nakajima and several former Toho filmmakers in 1983. Principal photography on Wolfman vs. Godzilla began in 1983 and concluded in the mid 1980's. Post-production ("editing, sound design, and visual effects") is ongoing.

A sci-fi horror film based on the story by Stephen King. A first person POV perspective allows the audience to get inside the head of an astronaut trapped in a spaceship, as a strange virus grows inside him, altering his mind. To save himself he must take drastic action.

This short romantic thriller explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway.

London, 1761. St. Mary's of Bethlehem, a sinister madhouse, is visited by wealthy people who enjoy watching the patients confined there as if they were caged animals. Nell Bowen, one of the visitors, is horrified by the deplorable living conditions of the unfortunate inhabitants of this godforsaken place, better known as Bedlam.

A caretaker at a summer camp is burned when a prank goes tragically wrong. After several years of intensive treatment at hospital, he is released back into society, albeit missing some social skills. What follows is a bloody killing spree with the caretaker making his way back to his old stomping ground to confront one of the youths that accidentally burned him.

A family therapy session takes a disturbing turn.

Ordinary citizens now augment themselves with cybernetic implants and live alongside fully synthetic androids, who have taken over the bulk of humanities’ service positions. This bleeding-edge technology is all controlled by global corporations, with the most dominant being the Toronto-based tech-giant; Red Crow. As private investigator Duncan Reeves clings onto ideas of the past and distresses over his cybernetic arm obtained during past wars, a corporate murder and a mysterious woman make him question the lines between human and android.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

No description available.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

An elderly nursing home resident faces down nightfall, neglectful nurses, and the things that come for him in the night... armed with only a straw and a handful of peas.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

A simple Connecticut farm girl is recruited by a distant relative, an aristocratic patroon, to be governess to his young daughter in his Hudson Valley mansion.

A man experiences a slow descent into madness while in isolation.