Punch

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Pierre Elliott Trudeau was one of the most striking, well-spoken and controversial leaders in Canadian history. He brought with him an almost rock-star aura of popularity to office in the 1960s, marking what was known as "Trudeaumania" in Canada during one of the country's most exciting and important times. Yet Trudeau's eccentricities were regularly mistaken for arrogance and he was often considered a traitor, particularly by those who wanted to see Quebec separated from the rest of Canada. With the province rocked by terrorist bombings and the nation disturbed by civil unrest, Trudeau was determined to "put the country in its place." Through hours of archival footage and interviews with Trudeau himself, Memoirs details the story of a man who used intelligence and charisma to bring together a country that was very nearly torn apart.

Un gars, une fille is the title of a Quebec comedy television series created by Guy A. Lepage and broadcast on Radio-Canada, as well as the title of its French adaptation on France 2. It is one of the most successful Quebec television shows, with a concept exported to more than thirty markets around the world. It is the first Québécois television program to be adapted in the United States.

Sitcom following the misadventures of laddish flatmates Gary and Tony

In an atmosphere as inviting as her recipes, Sandra Lee, author of the best-selling cookbook Semi-Homemade Cooking, shares her techniques for combining fresh ingredients with specially selected store-bought items. The results: mouthwatering meals and desserts, prepared in minutes, that taste like they were made from scratch. Now you can see why consumers, viewers and celebrities from Katie Couric to Nathan Lane have made Sandra Lee one of America's most sought-after culinary experts!

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Les Belles Histoires des pays d'en haut is a Canadian television drama series, which aired on Radio-Canada from 1956 to 1970. One of the longest-running programs in the history of Canadian television, the series produced 81 episodes during its 14-year run and was one of the first influential téléromans. Written by Claude-Henri Grignon as an adaptation of his 1933 novel Un Homme et son péché and initially set in the 1880s, the series starred Jean-Pierre Masson as Séraphin Poudrier, the wealthy but miserly mayor of the village of Sainte-Adèle, Quebec, and Andrée Champagne as Donalda Laloge-Poudrier, the young daughter of a village resident who is given in marriage to Séraphin as payment for a family debt even though she remains in love with her suitor Alexis Labranche.

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With humour and compassion, Annie et ses hommes  shows us the ups and downs of a modern family, focusing on the emotions and experiences of a woman in her forties. This dramatic comedy is a subtle portrait of a singular woman, Annie, and her clan. It’s a thought-provoking exploration of family life.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?