Crow: The Legend

An inspiring English teacher transports her class into the very heart of a Persian poem.

A trollish child left to be raised in a hostile human village clashes with a town bully and runs away to the forest. When her adoptive mother is kidnapped by a forest beast, Troll Girl is forced to confront the danger and the town’s prejudice head-on.

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

Anna wants to share her chocolate cake with her friend and ends up living an adventure through the forest, where the terrible bearded giant is the new inhabitant. In fact, all the animals that she meets are disappearing. Does the giant need company?

Children are mysteriously falling ill at an orphanage. Candy Boy, the most valiant of the orphans, investigates, but the arrival of a new boarder complicates his inquiries.

It's Nadine's first day of school, a significant historical event considered by her mother to be one of many "milestone days", which must be documented with a photo.

Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.

Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.

One of the most exciting and memorable stories in the history of the World Trade Towers is that of Philippe Petit, a French man who walked a tightrope between the massive monuments in 1974. Narrated by Oscar nominee Jake Gyllenhaal, this is an animated adaptation of the lyrical Caldecott Award-winning book by Mordecai Gerstein. Directed and animated by Michael Sporn, with music by Michael Bacon (of the Bacon Brothers).

In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).

An animated short about the 75 years of Superman.

No description available.

A story about fear, faith, and what to do when faced with the unknown.

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

Kyoto, a thousand years ago. Tokimasa, who unexpectedly visits the house of a woman he abandoned long ago, witnesses the woman's corpse, which remains uncorrupted, and an eerie light lingering in the air. Fearing the curse of the woman who died harboring resentment towards him, Tokimasa seeks out the Onmyoji (exorcist) Kamo no Tadayuki... This is a ghost story anime depicting a beautiful tragic love story of the Heian period, based on a story from the Konjaku Monogatari (Tales of Times Now Past).

The travelogue is mobilised again by animator Lesley Keen in Burrellesque, commissioned for Glasgow’s European Capital of Culture 1990 programme. Drifting through Glasgow’s Pollok Park towards the Burrell Collection as seasons shift, Keen’s 35mm film convenes with the spiritual life of the artefacts held therein. These objects break out as kaleidoscopic visions, ripped from their place of origin; escapees pointing to Scotland’s own history of cultural extraction.