Divas: d’Oum Kalthoum à Dalida

THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Setlist: One Step Closer Lying From You Somewhere I Belong No More Sorrow Papercut Points of Authority Given Up Don't Stay From the Inside Leave Out All the Rest Numb Pushing Me Away (Piano Version) Breaking the Habit In the End Crawling What I've Done Encore: The Little Things Give You Away Bleed It Out Faint

Max Devereaux and Suko Pyramid documentary about the making of their first three albums together as a duo and the story of their inspiring, international collaboration. Produced entirely remotely, featuring never-before-seen photos, videos and audio as well as interviews with close collaborators from all over the world.

In American Sign Language (ASL) with subtitles available in English, Spanish and Canadian French. This powerful documentary uses real life experiences from Deaf people of varied social, racial, and educational boundaries showing how this form of oppression does lasting and harmful damage. Bonus materials include directors' comments from Ben Bahan and H-Dirksen Bauman and additional scences. Teachers: This film is a wonderful tool for beginning ASL students, as an introduction to a side of Deaf culture that cannot be found in any textbook.

Shot by raghavngpl, the documentary follows 2 AASHIQZ* (yksdog and raztaan) around the capital, Delhi, where they take you on a visual journey of their songs about love and heartbreak. Fun times.

A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.

Equal parts documentary, essay, and narrative,"Captain Elliot's Circle" is mostly a poetic interaction with an obscure corner of Chinese and British history. Constructed using primary source documents about the taking of Zhoushan, Britain's first choice for a seaport, in the late 1830s,this movie uses Captain Charles Elliot's reluctance to brutalize the Chinese to reflect on the cyclical nature of history and the power structures that move it. The long takes used throughout function to illustrate the dramatically different ways in which people who lived in the mid-19th century perceived time. Additionally, it represents the psychological effect of living on an island regardless of what era you were born in.The last third of the movie focuses on a young woman whose strange day job has taken her far away from the island of Zhoushan generations after Captain Charles Elliot was last there. "Captain Elliot's Circle" was shot on location in Zhoushan and Hangzhou.

The documentary explores the voluntary teaching of music to young people from the periphery, highlighting the impact of education as resistance in the lives of socially vulnerable individuals in the Brazillian midwest.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

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A total of 17 journalists have been fired since 2008, the beginning of LEE Myung-bak’s presidential term. They fought against the companies that they worked for succumbing to power and are now frustrated at reality where censorship of the press by authority has now become a norm. Can they continue their activities as journalists?

“The Walkout” is a new documentary that brings to light a pivotal but often overlooked moment in Texas history: the 1968 student walkout at Edgewood High School in San Antonio’s Westside. Fed up with underfunded classrooms, uncertified teachers, and crumbling facilities, a group of young Mexican American students and their families organized a bold protest that would become a catalyst for statewide education reform. Told through the voices of the original students, community leaders, and historians, The Walkout weaves together personal testimony, historical footage, and present-day reflections to honor the legacy of resistance born in San Antonio’s Westside. This film doesn’t just revisit the past; it also draws a direct line to today’s struggles over school funding and equity in Texas.