#monalisa

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

Some of them move. Others make noise. One weighs in at 700 pounds. Collectively, they represent the future of contemporary craft. Go behind the scenes of the "40 under 40: Craft Futures" exhibition, featuring traditional and non-traditional works of decorative art created by the top 40 American craft artists under the age of 40. Observe this wildly creative and diverse exhibition, assembled for the 40th anniversary of the Smithsonian American Art Museum's Renwick Gallery, and witness the challenges and rewards of bringing together 40 unique artists at the top of their craft.

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A short documentary about Chun, who lives in Vienna.

Paco and Manolo are two Catalan photographers from the outskirts of Barcelona who have been working together for thirty years as if they were a single person, capturing their images in Kink magazine, a very personal photography fanzine with a homoerotic aesthetic of Mediterranean essence.

The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.

Gerald S. Doyle was one of the first collectors of Newfoundland folk songs. He was also an avid cinematographer who left a collection of 12 hours of colour film, shot in outport Newfoundland and Labrador in the 1930's, 40's, and 50's.

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

A slice-of-life documentary following Ulla, a blind woman adjusting to life after eye removal surgery. With the help of her guide dog, Laina, she navigates Helsinki while pursuing a prosthetic eye and a deeper understanding of photography.

"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

From a teenager's suburban bedroom to the boardrooms of Silicon Valley, this is a story of a heartbroken father's quest to uncover the truth behind his daughter's death and his fightback against how the most powerful corporations of the modern age operate.

THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.

A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.

Portrait of the Canadian artist duo Cozic, composed of Monic Brassard (1944) and Yvon Cozic (1942). United in life and creation, the couple works with industrial materials in vibrant colors to create ecological and playful artworks. From the carefree hippie years of the 1960s to major public art commissions, their work reflects the evolution of our relationship with nature and the industrial world. Today, from their remarkable estate in Sainte-Anne-de-la-Rochelle in the Eastern Townships, the duo is preparing for their major retrospective at the Musée national des beaux-arts de Québec.

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