Beauty

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

Nagasaki, 1964: Following the death of his Yakuza father, 15-year-old Kikuo is taken under the wings of a famous Kabuki actor. Alongside Shunsuke, the actor’s only son, he decides to dedicate himself to this traditional form of theatre. For decades, the two young men grow and evolve together – and one will become the greatest Japanese master of the art of Kabuki.

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

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Hanbei (Arata Furuta), the boss of the labor agency Fujitsuboya is known to the underworld as the leader of the 'Last Rite Givers' (Indouya), an organization that deals with disposing of criminals for the sake of the people and society. However, in reality, he is merely a timid and mild-mannered man, too gentle to even harm a fly, whose fearsome appearance is what earned him his position. In both his public and secret life, the true leader is his wife, Oise. One day, a wandering assassin known as the 'mad dog', Yoiyami Ginji (Taichi Saotome), appears—someone who will kill anyone, regardless of who they are, as long as the price is right. Under the orders of the 'Black Blade' gang, who aim to destroy the 'Last Rite Givers' and monopolize the underground business, Ginji awaits to ambush and kill Hanbei. However, at that moment, as if by the curse of the 'Tengosei' star, a violent lightning strike causing the bodies of Hanbei and Ginji to switch.

Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.

An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.

An onnagata (female impersonator) of a Kabuki troupe avenges his parents' deaths. Remade in 1963 as Yukinojô Henge.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Based on the novel by Shofu Muramatsu, the film is dedicated to the actors of the renowned Japanese Kabuki theatre. Set in Japan in 1885, the story follows Kikunosuke Onoe, the adopted son of a famous Kabuki actor. Kikunosuke’s father teaches him professional acting skills, preparing him to become his successor and continue the acting dynasty. However, Kikunosuke leaves his family, much to his father’s dismay, to hone his craft outside of Tokyo and moves to Osaka.

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Air Force Major Lloyd Gruver is reassigned to a Japanese air base and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily, a by-the-book officer, Gruver must take a position when a buddy of his, an enlisted man, Joe Kelly, falls in love with a Japanese woman, Katsumi, and marries her. Gruver risks his position by serving as best man at the wedding ceremony.