All Eyes Off Me

Through a mosaic of stories intertwined and created a current picture of the sad social and economic situation in Israel. Mother forced into prostitution to support her son; Blind man must survive after losing his dog; Son is looking for his rocker father's; Apartment owner complicates his life while entering the underworld...

Ajami is an area of Tel Aviv in Israel where Arabs, Palestinians, Jews and Christians live together in a tense atmosphere. Omar, an Israeli Arab, struggles to save his family from a gang of extortionists. He also courts a beautiful Christian girl: Hadir. Malek, an illegal Palestinian worker, tries to collect enough money to pay for his mother's operation. Dando, an Israeli cop, does his utmost to find his missing brother who may have been killed by Palestinians.

An existential comedy about a neurotic film director whose fears of failure, death and losing control all surface on the night his new film is released - a hysterical unforgettable night at least for him his band of eccentric friends.

After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.

Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.

Set in Tel Aviv, focuses on an interconnected group of friends and their various relationships. At the center is the adorably bookish Omer, about to turn 30, who still hasn't found himself, and his free-spirited best friend Miki, who both end up inadvertently dating the same handsome journalist, Ronen.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

A ten-year-old Israeli boy whose father died years earlier during the Six-Day-War is determined to find out more about his father's death. He skips school and, with the help of a friendly cab driver, heads to Jerusalem to find the men who fought with his father's unit and learn the exact circumstances. During the drive from Tel Aviv to Jerusalem, the cabbie provides a history of the establishment of the Jewish state

A gay New York Times travel writer comes to Tel Aviv after suffering a tragedy. The energy of the city and his relationship with a younger man brings him back to life.

The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.

The sequel to "Yossi and Jagger" finds character Yossi (Ohad Knoller) leading a sad existence after losing his partner Jagger on the battlefield. A chance encounter with a middle-aged woman linked to his past shakes up his otherwise staid routine and sends him on a spontaneous pilgrimage to Tel Aviv. It is on the roads of southern Israel that he reignites the fire of his former self.

Mike Anderson, a tough American reporter on a dangerous foreign assignment, finds his own life in jeopardy when he uncovers a deadly labyrinth of political intrigue that threatens the lives of thousands. Dispatched to investigate a mysterious and fatal attack on an overseas US naval base, Anderson, a leading investigative journalist and ex-US marine, finds himself back on familiar ground. Instinct makes him question the official CIA explanation that cites an unknown terrorist group called Black October. Alone, and armed only with his combat training and determination to uncover the truth, he sets out to expose a complex and dangerous political web.

A seemingly ordinary life is shattered when a woman uncovers a hidden truth about her husband, plunging her into a high-stakes international conflict. As loyalties blur and danger escalates, an Egyptian intelligence officer is tasked with a critical mission where failure is not an option.

The ageless man walks in the apocalyptic streets of Tel Aviv. In the eyes of two restless teenagers he finds his lost youth. They will tease him, they will seduce him, they will surrender.