Showgirls of Pakistan

A trio of friends find themselves in a "what if" situation on the road to the movies.

An aspiring twentysomething writer hesitantly accompanies her equally reluctant younger sister on vacation with their deliriously happy parents, in Luis De Filippis’ resonant, cliché-free debut feature.

When hard-working single father Luke stumbles across an underground nightclub, he meets Aysha, a beautiful, seductive woman. Their first kiss yields fireworks — which are immediately followed by Luke’s sobering realization that Aysha is not the cisgender woman he thought, but a remarkably femme drag queen. Unable to deny the spark between them the pair are forced down the unexpected path of transformation, where they must question their identities and confront their individual truths.

Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation, and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble.

Lahoriye is the story of love. The love which does not see boundaries, the love which does not see nations. Kikar Singh (Amrinder Gill) is a clerk at DTO office and his family holds a piece of land which is right at the LOC. The people living in Border areas are familiar with the situation. Right across the land in Pakistan is a Kinnow farm where Ameeran (Sargun Mehta) works and live with her family. Kikar falls for Ameeran and slowly slowly even Ameeran falls for Kikar. What follows next is a tale of romance which is worth watching on the big screen.

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

A trans girl misses her train stop one night and embarks on a surreal journey back home as her dreams start leaking into her reality.

Ji-wook is a virile detective with a reputation, but deep down in his heart, he always considered himself as a woman and finally decides to get a transsexual operation. However, his plan falls apart as vicious gang members start their revenge on him.

Hikari, a trans woman, works and lives in Tokyo, but despite being understood by her friend and coworkers, there remains an underlying lack of confidence and feeling of unfulfillment. She makes the decision to contact her high school crush, Takashi, hoping that he will see her for the person she is now.

“Are you a man, or a woman?” In a world built on binaries, this is the question every trans soul must learn to answer—again and again. But imagine a future where bodies wither, yet minds ascend—consciousness can be uploaded to the cloud, and we could inhabit mechanised shells. In such a world, would gender still hold weight? Would it matter if you were man, woman, turtle or elephant?

Farid was three years old when his beloved father disappeared. The elders whispered that he had fled Morocco for another woman, never to return. Farid grew up in the shadow of this repressed absence, got married, and embarked on a promising career. Then, a letter from Montreal arrived. The truth came crashing down, cruelly, after decades of lies: it was at the request of Farid's mother that his father had left them, and it wasn't for another woman, but because he himself aspired to be one... So Farid set out to turn back time and meet the long-awaited mother he never met.

At an LA house party, an aspiring musician pursues her crush through a crowd of hopeful dreamers chasing empty promises.

Dramatization of the true story of the so-called Willmar Eight, a group of Minnesota bank workers who braved freezing conditions whilst picketing their branch in a struggle for union rights.

1960s Japan—economic boom, Olympic pride, and a crackdown on “public morals.” An anti-prostitution law targets women but spares male sex workers, the so-called “blue boys.” When police arrest the doctor performing their sex reassignment surgeries, the sensational “Blue Boy Trial” begins. Three transgender women take the stand, igniting a national debate on identity, medicine, and happiness—long before the language of LGBT existed. Though the court ruled surgery legal, the verdict cast a shadow: no such operations would occur in Japan for 29 years. Half a century later, this buried history still reverberates in the lives of sexual minorities.

In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.

In the midst of gender transition, Verónica runs away from home in search of a new beginning and finds refuge with her cousin Alex. As she navigates her new life, actress Israel, who plays Verónica, faces her own personal journey during filming.