Bob the Builder: Bob Saves the Day!

In a world where humans are treated like dolls—every part replaceable—Adisa, a struggling musician, faces pressure to buy a new voice before a career-defining gig. Desperate, he turns to the Body Shop, a chaotic underground clinic. The procedure could change everything for him… but is this what he really wants?

An unlucky dude encounters a sticky situation after accidentally swallowing bubblegum.

While striving for the top digital messenger spot Flash makes a fatal error putting young love in jeopardy. Now he must risk everything he has worked for in order to make it right or save his reputation.

A reading of the Grand Prize-winning essay in the Earth Day 50 Art & Essay Contest, April 22, 2020, held in Clark County, Nevada. Narration by winner Sydney Lin; illustrated by the top 20 artwork entries; music by permission, Zukir Hussain.

Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colorful world in which no one seems to be able to help him.

A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

Porky and Sylvester stay overnight in what Sylvester realizes is a terrifying hotel filled with endless imminent danger.

A devoted butler tries to save his detective master from a mysterious vampiric kidnapping.

Pete's parents know exactly what to do when Pete's in a bad mood. They turn Pete into the funniest pizza ever.

Fairytale full of light, magic and nostalgia. A clay doll awakens her surroundings that become a surreal world in constant flow of change. Shot with natural light, the visible changes of daylight emphasize the passage of time in the film.

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A one-eyed pirate captain tries repeatedly to win a treasure, always with a new team of one-eyed pirates like him.

A man's sanity is a point of contention as he confesses to murdering an elderly man, driven by the victim's pale blue 'vulture eye', culminating in guilt-induced auditory hallucinations of the victim's beating heart.

Trouble starts when the queen's magic mirror says Betty Boop is fairest.

A wistful little “story-spirit” rides the wind to a child’s doorstep and invites her on a whistle-stop tour through the Latvian seasons. Guided by a gentle water sprite, they drift from spring showers and blue-flower meadows to roaring Midsummer bonfires, stormy autumn seas, and snow-bright winter nights. The imagery—pastel cut-out shapes that melt and reform—visualises verses by the poet Aspazija, while Zigmars Liepiņš’s folk-inflected score (sung by Mirdza Zīvere) turns the whole trip into a lullaby on loop: every tale enchants for a moment, then must move on to the next open doorway. In the end the child waves goodbye, knowing the fairy-tale will return whenever imagination cracks the door again.