Tobu Hime

The Europeans want to be forgiven for the tragic colonial period. The aborigines try to preserve their ancient roots from the present and the future. In the North Territory.

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.

Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.

A colourful look into the life of Canary Islands Immigrant Montse, her journey in Australia, and the story of connecting with your culture as a means of connecting with yourself.

Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

This mini documentary features a rare interview with infamous graffiti artist Banksy, delving into how he started out as a graffiti writer up to his shift to gallery art, installations, CDs, and more. Til this day only a hand full of people know his real identity, such as friends appearing here: 3D of Massive Attack, Damien Hirst, and others.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.

When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.

There's a mysterious predator lurking in the depths of Australia's wild Southern Ocean, a beast that savagely devoured a great white shark in front of cinematographer David Riggs 11 years ago. Riggs's obsession to find the killer leads him to an aquatic battle zone that's remained hidden until now. Here, killer whales, colossal squid and great white sharks face off in an underwater coliseum where only the fiercest creatures of the marine world survive.

A year in the life of troubled Australian graffiti artist Justin Hughes.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

This documentary follows the lives and careers of a collective group of do-it-yourself artists and designers who inadvertently affected the art world.

The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.