1 minute 30 seconds

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.

A journey through the Spain of the Baroque, the glorious 17th century, an unfortunate era of endless wars and political tribulations; but also of great painters and sculptors who created astonishing pieces of art: el Siglo de Oro.

A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.

No description available.

When his dream business comes under threat by a predatory loan shark, Welsh restaurateur Dick must take drastic action to protect his beloved, tacky Spanish tapas restaurant.

Four young adults who try to commit suicide on the same day become friends.

When the opening night of a new play goes horribly awry, the actors are forced to frantically improvise the plot onstage. Clashing egos, tested friendships and a series of disastrous misunderstandings combine to create the most offensive, shocking and accidental piece of theater ever to debut in front of a live audience.

No description available.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

An account of the life and work of the Spanish clown, mime, acrobat and actor Marcelino Orbés (1873-1927), known as Marceline, who, between 1900 and 1914, was unanimously acclaimed as the best in the world.

The story begins from March in year 1184 2 months after the final scene in the first play. The Genpei War and troubles of the hero, Minamoto no Yoshitsune, acted by GACKT,was dramatised from a new perspective drawn with a color of entertainment and a fresh breath of aesthetics. It is set in the days after the Heian Era. The Mononoke, who were feared since ancient times, the Mononofu, who are humans who gained the Mononoke’s powers, and the humans, who are being ruled by the Mononofu. In this scenario, the Heike and the Genji families, along with the other Mononofu around them, possess various powers like telepathy and seeing the future.

The tragic fate of Juana I of Castille, Queen of Spain, madly in love to an unfaithful husband, Felipe el Hermoso, Archduke of Austria.

The theatre play is set in the late Heian (794–1185) and early Kamakura period (1185–1333) in Japan. The main character is young adult Minamoto no Yoshitsune, from the Minamoto clan. Like previous chapters, it is a historical fiction, a world with supernatural powers and spirits (Mononokes). The idea was to create a story where the Oni (Japanese demons) were the origin of vampires, and eventually of the central character.[19] In the Heian period existed those called as Mononoke (spirits), and Mononofu, who were born between humans and Mononoke, and with special powers dominated both Mononoke and humans. The story from Mysteries of Yoshitsune spreads out when the member with inherited blood crossed over to Europe, and became the progenitor of the later vampires.

During the break of her theater play, Luna gets confronted with the consequences of her own ambitions