Lojzička

Hate Mail is an epistolary play something like Love Letters, with two actors reading letters and other correspondence, but it's a little wilder and more hysterically funny. It tells the story of Preston, a spoiled rich kid who meets his match in Dahlia, an angst-filled artist. Their worlds collide when Preston sends a complaint letter that gets Dahlia fired from her job, and then there's no turning back. The play stays with their increasingly crazed correspondence as they move from hate to love, and then right back again.

Young lovers living under an oppressive state-rule flee their home-city to change their lives, and end up changing the world. After all, love changes everything.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Recorded from the West End, Kiss Me Kate follows a pair of divorced actors brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

What happens if a regular housewife picks up in a local beauty contest - and wins? How will it be when the husband forbids her to go to the finals in Mallorca - but she is going anyway?

In New York, a gambler is challenged to take a Salvation Army missionary to Havana, and unexpectedly they fall for each other. And the bet has a hidden motive ... classic song and dance ensues!

Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.

On the first day at his new school, Cameron instantly falls for Bianca, the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out, too. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad boy with a nasty reputation of his own.

When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?

No description available.

Arnold Beckoff is looking for love and acceptance, but as a gay man working as a female impersonator in 1970s New York City, neither come easily. After a series of heartaches, Arnold believes he has found the love of his life in Alan, and the couple make plans to adopt. But when tragedy strikes, Arnold's life is shaken to its very core, leading to a confrontation with his overbearing mother, who has never approved of her son's lifestyle.

No description available.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".