Fuga da Rocinha

Rio de Janeiro. Confronted with the violence that exists in the favela where he lives, Tiago sees the only way out to become a soccer player and, in this way, help his family to have a better life. Although he is the best player in his neighborhood and the chances of being discovered by a scout are good, he faces a number of problems. One of them is Tubarão, the leader of the most powerful gang in the favela, who wants Tiago to work for him as a drug dealer. To complicate matters even more, Tiago falls in love with Juliana, Tubarão's sister.

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Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

The story of a photograph: A single mother, an absent father and a child.

Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.

After failing to be admitted into the OSESP Orchestra, a talented violinist is forced to give music classes to teenagers in a public school. He soon finds his world transformed by the power of music and friendships formed with his pupils.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

The drama recounts the need for dialogue and attention on raising children through their characters: three mothers and their children. Marcia (Dani Tavares) A high-class mother and married, who always had everything and provides the same for your child, Angela (Ruth Cherem) a single mother of middle class, which makes everything so that your daughter does not her make the same mistakes of the past and Deborah (Val Ribeiro Valquiria Ribeiro) a low-class mother abandoned by her husband, who struggles to raise your child the best possible way. What do these women have in common is the love for their children that make it able to do everything for them, but sometimes it takes more to save the family loose links. It takes great faith.

A girl accesses her subconscious while venting about life's challenges.

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The documentary portrays the collective traumas of the militarization of Rio de Janeiro’s favelas occupied by the Armed Forces during the mega sporting events. Through voices from within the favelas, the film documents the struggle for justice and reparation for victims of human rights violations.

The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.

Rio de Janeiro. September, 2008. Three men stalk the gloomy back-alleys of the city's notorious slums. Spiderman, a 28-year-old drug lord, embarks on a routine patrol through the shadowy streets of Coréia, the sprawling slum he controls. Inspector Leonardo Torres, a muscle-bound operative from Rio's drug squad, inches through the alleys of another shantytown, shots ringing out around him. And Pastor Dione, an evangelical preacher intent on ending Rio's drug conflict, trawls the slums for lost souls. With unprecedented access to some of Rio's most wanted men, Dancing with the Devil in the City of God tells the story of Rio's drug war through the eyes of three men locked into one of the bloodiest urban conflicts on earth. Written by Jon Blair and Tom Phillips

The story of the Candeal favela in Salvador de Bahia, Brazil, where musician Carlinhos Brown carries out social and cultural initiatives that protect and enrich the lives of its inhabitants every day.

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.