Outlaw Rule

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.

U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners, Andy Clyde (Andy Clyde), Jay Kirby (Jay Kirby) and Russ Wade (Russell Wade), ride into Rockford and innocently takes jobs with Tug Wilson (Jack Ingram) and his tough crew of line riders, who are in cahoots with Yeager (Hal Price) in a big land swindle scheme.

Rangers Tex Haines and Dave Wyatt track a killer known as the Whispering Skull. In the wake of the Skull's slaughter, a band of thieves takes advantage of the fear he's brought to town.

Tom Cameron is searching for the outlaws who ambushed a wagon train, murdered his parents and stole the deed to their land. Though he was only a child at the time, he vividly remembers the scar on the ringleader's face -- and Tom will stop at nothing until he brings him to justice … and exacts vengeance.

Ben Jason has found a lost gold mine. When Morgan learns this, he and his henchman chase down Jason and kill him. Banning and sidekick Rafferty arrive on the scene only to be arrested and jailed for the murder. They escape from jail and now have to find the real killers to clear their name.

Gare uses the knowledge that his wife Amelia was imprisoned and had an illegitimate son to make her his subject. When her son Marc Jordan appears and falls in love with her daughter Judith, Amelia is forced to tell the truth. Gare then tyrannizes Judith. She tries to escape, but a fatal accident occurs first.

Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.

When a Chinese rebel murders Chon's estranged father and escapes to England, Chon and Roy make their way to London with revenge on their minds.

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

Two missionaries witness a murder by hired guns and go on the run. They stumble onto the cabin of two retired contract killers who agree to help the women find safety, but only their guns can secure that promise.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.

Cowboy Jack Horton searches for the killer of his father and brother, both of whom were found with an ace of clubs pinned to their bodies.

In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.