Eila

An intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.

In a violent relationship, it takes a mother’s strength to save herself and her children from the man she loved. Once Were Warriors is a violent love story set against a contemporary urban backdrop.

From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.

In an epic tale of theater, gender, love and class, two Beijing opera actors navigate political turmoil as their friendship evolves over decades.

A young Pakistani Briton manages a rundown laundrette with his lover while dealing with tension in his family, the local Pakistani community, and a persistent mob of skinheads.

Frankie is a car park attendant at the spectacular Giant’s Causeway in Co. Antrim. His friend Cathy and her husband Paul are in trouble. Nevertheless as Frankie always says, "Something will turn up!"

Raghuvaran, who is unemployed for years, gets his dream job but a powerful rival is keen to put him down. Can he take on his adversary?

When a promised job for Texan Michael fails to materialize in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money, and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.

This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.

Moon Child follows a group of childhood friends as they advance in a futuristic criminal underworld. Sho feels he is doomed to walk in his idol Kei's footsteps as a vampire with the gift of eternal life and the curse of blood thirst. Over time, their tight friendship becomes corrupted because of their rivalry and love for the same woman.

Ryden Malby has a master plan. Graduate college, get a great job, hang out with her best friend and find the perfect guy. But her plan spins hilariously out of control when she’s forced to move back home with her eccentric family.

Successful model, Phyllis Clyne, convinces a down-and-out nobleman, Billy, to pass her off in society as titled gentry. They fall in love and when it turns out that her late father actually was a lord, they decide they now can marry.

In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.

Dorothy Reid -- who before her marriage to ill-fated screen idol Wallace Reid was better known as Dorothy Davenport -- was both producer and star of Satin Woman. After the death of her husband from drug abuse in 1923, Davenport dedicated herself to helping others avoid the pitfalls of modern life by turning out a series of cautionary film fables. In Satin Woman, she endeavored to warn society women not to neglect their families for the sake of fads, foibles, and handsome younger men.

The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.