Who Rents There Now?

In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

A police detective falls in love with the woman whose murder he's investigating.

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.

The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.

Two reporters search for a missing body in a wax museum.

Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew's nest... perhaps he'll never leave.

An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.

A manicurist and an engaged loafer, both planning to marry money, meet and fall in love.

A group of people move to a half-finished building, but soon a Cold War occurs between some of them. Based on a play.

Residents of a shanty town are faced with its destruction. With the help of the local trickster, Paja "the Bighead" moves with his family to an empty flat in New Belgrade blocks. Everything goes fine until the real owner knocks at the door.

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

Rémi is a man trapped in a deteriorating marriage. When his wife is unexpectedly killed in a car accident, Rémi is left with his stepdaughter, Marion, who chooses to stay with him rather than live with her birth father. After the initial shock passes, Rémi is caught off-guard when Marion begins expressing her attraction to him. Initially repulsed, Marion's mature beauty wears him down as he finally caves to her seductions.

Meek, owlish Felix and strident, catty Doris live in the same apartment building. His incessant typing bothers her; her gentlemen callers bother him. Felix informs the landlord of her activities, so Doris moves in on Felix. When they both get thrown out, they move in with Barney... until they drive him out! That's when Felix and Doris finally decide to put theory into practice. But do opposites attract?

Sharecropper's son Marvin tries to help his community overcome poverty and ignorance.