Manmarziyaan

After her husband, Baburam Yadav, travels to Bombay to try and re-pay his loan to the local money-lender, Lala Sukhilal, his wife, Laxmi, and three children Sheila, Shakti, and Shankar, are...

Anand is looking to arrest the woman who killed his father, unaware that she's his own mother

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A love triangle, the film is a remake of the Telugu blockbuster movie Dasara Bullodu (1971), made by the same company and director. Mohan Lal Srivatsav loves Gauri and so does Shyama. The rivals in love are close friends, their friendship proves to be stronger than their love. When Gauri learns that Shyama loves Mohan, she decides to sacrifice her love, her dream, her life for her friend's happiness.

About a taxi driver in Mumbai, Mangal, who is called "Hero" by his friends. A driver who drives a cab by day, then drinks at night, listens to his singer girlfriend, Sylive, and then goes into a drunken stupor - and wakes up with a hangover. One day, while assisting another taxi driver, Mangal comes to the assistance of a damsel in distress, who is being molested by two thugs. Mangal gallants rescues her, and attempts to take her to her destination, to no avail, as the person she is looking for has moved. The next day, Mangal and the young woman, Mala, again attempt to seek Ratanlal, a music director, but the entire day is spent in vain. Mala lives in Mangal's tiny apartment and both become attracted to each other. When Mala finds out about Sylvie, she leaves him. He goes in her search, but finds that she has become a famous singer with the help of her music director friend.

Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.

A Bollywood obsessed auto-rickshaw meets and falls in love with an actress. When the film crew packs up and leaves, he too sets off to Bombay to be close to her.

Yahoodi Ki Ladki (The Jew's Daughter) is a Hindi drama film directed by S.D. Narang, starring Madhubala and Pradeep Kumar as leads. The film became a silver jubilee hit on its release in January 1957.

Avee, a young doctor, finds himself in a state of depression after his break-up. To help him, his mother calls in her friend, Rajat, a psychologist. Can Rajat bring a change in Avee's life?

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

A man and his godson fall in love with the same woman.

Champion. Olympic Medallist. The Doyen of Indian Badminton. Saina Nehwal is all of this and much more. This biopic chronicles the inspiring story of a gifted youngster's ascendance to the pinnacle of the Badminton World through sheer passion and perseverance.

An American woman comes to Belgrade to visit an old friend. There, on the exotic boundary between West and East, she becomes entangled in a love triangle.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.