Alice's Adventures in Wonderland

Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.

At Tutu Academy, where tutus are the uniform, students of all characters (geeks to goths) express themselves through ballet—and bizarro hair. One odd day, a UFO lands and an alien enters the classroom. Eager to connect with the visitor who doesn’t speak earthly language, the teacher starts a dance conversation—followed by the entire class. At first, the alien struggles to learn the artful language, until he’s gifted a magical tutu. With fresh confidence, the green-hued stranger joyfully joins the dancing crew. But just as the bond deepens, the alien must return to his homeland. With bittersweet farewells, the UFO departs—donning a tutu too. On his planet, a stark contrast to Tutu Academy’s vibrant vibe, the alien proudly presents tutus to his commanders, where they dance in celebration of the newfound connection with Earth.

An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.

A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.

When rebellious street dancer Andie West lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the school's hottest dancer, Chase Collins, to form a crew of fellow outcasts to compete in Baltimore's underground dance battle The Streets.

Popular and dashing American singer Nick Rivers travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond, he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric and Flammond to attempt the rescue of her father, Dr. Paul, from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

A modern adaptation of the classic children's story 'Alice through the Looking Glass', which continued on from the popular 'Alice in Wonderland' story. This time Alice is played by the mother, who falls asleep while reading the the bedtime story to her daughter. Walking through the Looking Glass, Alice finds herself in Chessland, a magical and fun world. There she meets the Red and White Queens, as well as many other amusing friends on her journey across the chessboard countryside onto become a crowned queen.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

The Royal Ballet presents the world premiere of Cathy Marston's first work for the Company on the Main Stage alongside a revival of Jerome Robbins’s timeless classic of pure dance. The Cellist is a one-act ballet about British cellist Jacqueline du Pré, from her discovery of the cello through her celebrity as one of the most extraordinary players of the instrument to her frustration and struggle with multiple sclerosis. Jerome Robbins's Dances at a Gathering is a fluid exercise in pure dance for five couples, set to piano music by Fryderyk Chopin.

The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.