Hendi & Hormoz

A romance is played in reverse, revealed through memories brought on by improvisational music.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Happy newlyweds Ida and Jura are expecting a child. Ida suddenly finds out that the child will be special. She is unsure of how Jura will react when he learns the news, or what life with an extraordinary child will bring.

A nurse in the Caribbean turns to voodoo in hopes of curing her patient, a mindless woman whose husband she's fallen in love with.

A young wizard accidentally conjures a spell that puts her family in jeopardy.

A wealthy couple (James Brolin and Deidre Hall) are killed on their yacht off the coast of a secluded South American island called Palmyra. The suspects are a hippyish pair (Hart Bochner and Rachel Ward) whom the rich folks had befriended. It’s fairly clear that the hippies were involved in the crime: The question is, did the man do it while the girl looked on helplessly, or was she a willing accomplice?

A Frenchman finds his runaway wife on an island in the Pacific.

Emel works at Osman's club. There she meets Kemal and they fall in love. They decide to get married. Kemal's man Mahmut, gets Kemal into a pretended drugs business and causes Kemal to go to Tehran. Kemal writes letters to Emel but they are kept by Mahmut and Emel never sees them. Mahmut calls Kemal to Istanbul.

A director arrives in Tahiti to make a film, but soon he lets himself be captured by the exotic charm of the local places and beauties. with E. Salerno.

In early 19th-century France, the Marquis de Sade is confined to an asylum where his forbidden writings continue to circulate beyond its walls. As the authorities tighten control, a clash unfolds between the Marquis’ unyielding imagination, the reformist ideals of the Abbé in charge, and the repressive measures of a doctor sent to silence him. Desire, power, and censorship collide in a battle over freedom of expression.

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

The film starts in the early evening of a normal day: Sophie, a 20 year old girl, is pregnant and wanders through the night to get sure about her future life. Does she want to be a mother or do an abortion? Does she love her friend or not? Who is the father of her unborn baby? Trying to figure out what to do Sophie encounters many people, and in the morning she has come to a decision. But this is not the movie's end...

Nagi is the pillar of her small family that includes her husband and her rigid father-in-law. Faced with the possibility of losing her home due to the construction of a dam, Nagi proves her strength.

Confined to a cold cell for 41 nights, a doctor's dreams of failures collide with his memories of success.

A 30-year-old slacker who lives with his mother finds his life turned upside down when his mother's flamenco-dancing friend moves in.

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.