300 Ton Trailer

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

Eilish McColgan is running in the footsteps of her mother, Liz. This documentary shares their extraordinary journeys as Eilish tries to break her mum's final record - the marathon.

A sock puppet explores a family history told from the perspective of a mother and father.

The Maine Frontier: Through The Lens of Isaac Walton Simpson, combines the scarcely seen turn-of-the-century photography of Isaac Simpson with both archived and current films, oral histories, and a compelling musical soundtrack performed live.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

An undocumented immigrant explores his and his family's immigration trauma while grasping hope through a voicemail.

An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

A feature-length documentary from Canadian Geographic Films, and presents a powerful and emotional story celebrating the 100-year history of the Royal Canadian Air Force (RCAF). Through its backdrop of rarely seen RCAF archival footage and dramatic contemporary footage, the film showcases compelling stories from past and present RCAF members from across Canada.

The film delves into the work processes of an archaeological team from the Aranzadi Science Society at the San Adrián Tunnel site. Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.

a chronological coming attractions overview of Jodie Foster’s career

Complete Time-Lapse of Gobright and Reynolds' Speed Record on the Nose. A time-lapse of the entirety of Gobright and Reynolds' blazing fast sprint up the most famous piece of rock in the world.

Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest/UCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.