The Ferryman

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.

Confronting a meter-high red cordon, Anna Uddenberg questions our social consensus: "How can a fragile piece of red fabric so easily direct the flow of human movement?" Anna Uddenberg is a Berlin-based contemporary artist. This film offers a glimpse into her first solo exhibition in China, held at Tank Shanghai. Structured in three parts—Casting, Rehearsal, and Performance—the film offers a stylised, non-linear response to Uddenberg’s sculptural language, exploring themes of bodily discipline, synthetic femininity, and ritualised consumerism.

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In 1983, Franz Paludetto acquired Rivara Castle at the foot of the Italian Alps. A century earlier, artists from all over Europe had gathered here to establish the Rivara School of Painting. We witness the story of Italy during the latter half of the 20th century.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.