TV WAR

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Melody loves when visitors stop by so she can show off all of her favorite electronics.

By the dawn of the 21st century, hip-hop sales had reached an all-time high, but one thing has remained the same. The doors were still locked, and the music industry held the keys. Young artists began to self-market on the Internet, ultimately helping to collapse the music industry as we knew it. It’s Yours explores how it became possible to become a rap star through a Twitter account, YouTube site or Myspace page. It tells this story through the unique perspectives of numerous artists, producers, record industry insiders, and music and cultural critics.

A musical documentary and tribute to Hugh Le Caine. The story of early electronic instruments, and the nearly forgotten Canadian music pioneer who created the first synthesizers. As told through interviews with three modern-day modular synth musicians.

Destroy All Humans is a documentary exploring AI’s rise in art and media through an existential, experimental lens. At its center is HOVERBORG, a fictional band whose AI-generated music sparked questions about creativity and authenticity. Through interviews with musicians, artists, and media professionals, the film reflects on the unsettling shift toward hyperpersonalized media and asks: In a world shaped by algorithms, will we still recognize ourselves in the art we consume?

A musical odyssey about generational trauma and the retreat of humanity into itself.

A comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through a series of cinematic tweets.

Greatest Hits - The Ultimate Video Collection is a DVD by rock band Bon Jovi, coinciding with the bands Greatest Hits compilation. It contains 17 of the bands most popular music videos and 17 corresponding live versions of those songs taken from various concerts. The majority of the live performances have previously been released on DVD. The DVD is presented in 16x9 "Pillarbox" format and contain stereo and Dolby Digital 5.1 Surround sound audio.

A reluctant influencer’s first viral dance video overflows with comments from people claiming to lose their bodies after watching it.

Terror Mandelão addresses sound, technology, and the job market in the universe of baile funk in São Paulo's favelas. The film follows the journey of DJ K, one of the main DJs of Baile do Helipa, the street party of Heliópolis favela, and his friend Zero K, who got his first hit after 10 years as MC. Combining documentary, fictional elements, and visual experimentation, it portrays the ups and downs faced by young artists on the outskirts.

After several undistinguished albums in the early 80s, D’León began a return to form with 1984’s Con Cariño. Between 1985 and 1987 D’León issued a succession of albums featuring some of his strongest material, inspired playing and assured arrangements, which justified his position as one of salsa’s true international stars. The definitive albums of this period were 1987’s Riquiti..! and La Salsa Soy Yo. In June and October 1988, D’León demonstrated his live reputation by playing three sell-out concerts at London’s Hackney Empire. The last was recorded and broadcast in 1989 as a programme in BBC television’s Rhythms Of The World world music series, then released as Oscar D’León Live, the first salsa video to be issued in the UK.

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The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.

Photos, animation, and music illustrate the story of the Beatles.