The Metropolitan Opera: La Fille du Régiment

The events of a crisis hotline business on one crazy night during the Christmas holidays.

An American actor in England tries to find love and work.

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?

Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il. This revolutionary work is also popular among the Chinese, especially those who lived through the Cultural Revolution, and have fond memories of revolutionary antics.

Take a perfect cast, a great conductor and a groundbreaking staging in-out makes a 'Tristan' for eternity. The 1983 performance in Bayreuth was a great moment for the world of opera. The ensemble performance of René Kollo, Johanna Meier and Matti Salminen with, then as now the Wagner admirer, Daniel Barenboim conducting the Bayreuth orchestra inspired singers and instrumentalists to peak performance. Jean-Pierre Ponnelle created a dream-beautiful stage.

A spoof on many horror movie series. Ending his shift at the video rental, Stan's picked up by his BFF and 2 cute girls, all going to a Halloween party. Will they even get there?

Alexander Pushkin is young, brash and adored by high society. He is the star at every ball he attends, his fans revere his poetic talent, and young women dream of winning his attention. However, not even his aristocratic patrons and loyal friends, nor his growing fame can keep him from dueling, getting exiled, and becoming destitute. Only when he meets his true love does he find meaning in life, and his genius develops to make him the legend the world knows today.

General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

British army sergeants Ballantine, Cutter and MacChesney serve in India during the 1880s, along with their native water-bearer, Gunga Din. While completing a dangerous telegraph-repair mission, they unearth evidence of the suppressed Thuggee cult. When Gunga Din tells the sergeants about a secret temple made of gold, the fortune-hunting Cutter is captured by the Thuggees, and it's up to his friends to rescue him.

Heidi is a happy, outgoing orphan who lives with her grandfather in the idyllic scenery of the Swiss Alps. Heidi makes friends quickly and people know they can always rely on her for help. She loves the freedom of life in the mountains, but she also learns how to take on responsibility. Her cheerful nature helps to show others how to handle the challenges of everyday life and still be happy. Heidi’s honesty and natural charm inspires both courage and a joy of life in everyone she meets.

Laci is almost ready for his great escape - standing in his way are his watchful parents, a depressed grandmother, and a cat who still has a lot to forgive.

After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray. This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival. The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.