The Footprints of a Spirit

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

A look at legendary Japanese animator Hayao Miyazaki following his retirement in 2013.

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In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

A documentary about Hong Kong cinema mythology via Julien Carbon and Laurent Courtiaud’s experience as screenwriters in the HK film industry, working for Wong Kar-wai, Tsui Hark, Daniel Lee and Johnnie To

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

Japanese Masao Maruyama, co-founder of the Madhouse studio and producer of the cult films Perfect Blue and Tokyo Godfathers talks about the fantastic universe of mangaka and filmmaker Satoshi Kon (1963-2010), one of the most brilliant and fascinating authors of world animation, ten years after his death.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.

Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.