Nani

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

A hobo takes revenge to a miller who didn't give him something to eat.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

The story of a Soviet military serviceman and a male Georgian dancer. An anti-violence film about the awakening of human instinct in an invader

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...

Through a series of auditions, a young actor in New York City struggles with his identity.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

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It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.

Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.