Army of Lovers or Revolt of the Perverts

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.

A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

In late 1955 and early 1956, the citizens of Boise, Idaho believed there was a menace in their midst. On Halloween, investigators arrested three men on charges of having sex with teenage boys. The investigators claimed the arrests were just the tip of the iceberg-they said hundreds of boys were being abused as part of a child sex ring. There was no such ring, but the result was a widespread investigation which some people consider a witch hunt. By the time the investigation ended, 16 men were charged. Countless other lives were also touched.In some cases, men implicated fled the area. At least one actually left the country. The investigation attracted attention in newspapers across the nation, including Time Magazine. The "Morals Drive" left scars which remain to this day.

In Europe, road junctions have become public art galleries. A road trip across France, Switzerland, the Canary Islands, Greece and Germany exploring the glorious world of roundabout art.

A passionate group of Australian same-sex ballroom dancers battle homophobia, injury and personal drama as they pursue their dream of competing at the Gay Games in Germany.

Welcome to a different kind of drag race! As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics – one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

After her gender identity was denied in her homeland, Lee Li, a transgender asylum seeker, was forced to leave her country, family, and language to embark on a journey toward belonging, freedom, and self-empowerment.

Circumcision and artistic freedom concern three homosexuals, denied communication during a surreal jail stay.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

The Untold Tales of Armistead Maupin celebrates one of the world’s most beloved storytellers, following his evolution from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to reclaim their lives.

Art Johnston and Pepe Peña are civil rights leaders whose life and love is a force behind LGBTQ+ equality in the heart of the country. Their iconic gay bar, Sidetrack, has helped fuel movements and create community for decades in Chicago's queer enclave. But, behind the business and their historic activism exists a love unlike any other.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.