Le Sabotier du Val de Loire

Nicholas Nickleby, a young boy in search of a better life, struggles to save his family and friends from the abusive exploitation of his coldheartedly grasping uncle.

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor, which punctures the rhythm of his everyday life.

On July 5th, 1922, Norwegian explorer, scientist and diplomat Fridtjof Nansen creates a passport with which, between 1922 and 1945, he managed to protect the fundamental human rights as citizens of the world of thousands of people, famous and anonymous, who became stateless due to the tragic events that devastated Europe in the first quarter of the 20th century.

A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)

On the military road construction site, on the pastures of Lessinia, writer Carlo Stuparic wrote to his brother Giani. The film celebrates his memory.

No description available.

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

A spell of time in the life of the five-piece Haruno family in rural Tochigi Prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

Unable to face the mother who left her at a young age, BRYNJA (40) takes shelter in a small guesthouse in a village outside Reykjavik. There she befriends MARK (50), a British tourist, who's dealing with his own personal tragedy.

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

“Don’t end up alone like I did.” This plea expressed by her grandmother before passing, haunts Tatiana, a single, 40-year-old documentary filmmaker. Filled with questions about what it means to “not end up alone,” Tatiana explores her grandma Teresa’s life: an imposing woman who owned an iconic movie theater, divorced three times and challenged the Dominican social norms of her era. The filmmaker embarks on a journey through family archives, old films and hundreds of letters, constructing —or trying to deconstruct— a story about love, expectations and solitude.