Agnus Dei

Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.

Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...

Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.

At the beginning of the war the Germans come to the mine Trepca in Kosovo and occupy it. Communist Party and the workers do not agree with that and under constant repression, beginning small diversions, which will be transferred in the conquest and liberation of the entire mine.

First Serbian film shot in Kosovo after its separation, exploring the relations between Serbs and Albanians is inspired by true events and depicted through the fate of two tragic heroes and their families. The film was created from the personal experience of producer and screenwriter Predrag Raonić, observing the reality of journalistic work.

This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.

Prishtina, Kosovo. Mark works as 'an international employee'. One night he meets three local girls in a bar: Besa, her girlfriend Hana, and Shpresa. Mark is attracted to Shpresa's extreme passion, but the romance is soon shattered. Her mood swings from passionate love to hate and death threats in a matter of seconds. For Mark this is hard to handle. He believes Shpresa might suffer from borderline personality disorder. As he wants to confront her, she starts pushing him away. Hana and Besa's relationship is also in danger, but for a completely different reason: Hana is afraid of the social stigma that love between two girls carries in the deeply conservative and patriarchal Kosovo.

Kosmet in the fall of 1944. The Partisans have successfully liberated the town of Prizren from occupying Germans,and Ramiz Leshi, a brave and cunning KNOJ captain, has to liquidate the remainder of the local Quislings, called Balists. They are led by a ruthless, German-trained soldier Kosta and by Ahmet, the brother of the famous Captain. As Ramiz is trying to get Ahmet out of the gang and hunt down the rest of the Balists, 2 new girls arrive in town. One of them is Lola, a bar singer with a questionable agenda, and the other is Vida, a withdrawn music teacher from Belgrade.

It is election night. Oedipus is on the verge of a massive victory. The country has not known a leader for many years since Laius' death. The ambitions are great. Oedipus wants to create a future, create a new way of life. He also insists, if elected, that the investigation into the death of his predecessor is reopened. In the meanwhile, in the half-empty campaign headquarters, Oedipus is surprised by his family - mother, wife and children - with a dinner. An old incident is thereby brought up. Gradually, Oedipus discovers that his past is very different from what he has always thought. During his research, the pieces of the puzzle fall together. Oedipus tries to control his fate, but discovers that he has been seeing blind all along.

In 1389, the Serbian prince Lazar Hrebeljanović refused to submit to the Turkish Sultan Murat, who was invading Serbia with a large army, in order to continue conquering Europe through it.

Plagues are ravaging Thebes, and the blind fortune-teller Tieresias tells Oedipus, the King, that the gods are unhappy. The murder of the former king has gone unavenged, and Oedipus sets out to find the killer.

Oedipus's wanderings come to an end when he finds his final resting place, as foretold by the gods. But his brother-in-law and his son each try to take him away.

In a final battle for the control of Thebes, Oedipus's two sons kill each other. Creon issues an order that no one is to bury Polynices upon pain of death. But Antigone is determined that her brother's body will have the proper rites of burial.

In a mining plant in Kosovo, as occurs in many work organizations across the country, workers continue to win new positions in the self-management. The former miner and fighter - now general manager of the factory - is on the side of the workers, but has troubles in personal life.