Ember

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

A musical portrait of the ethnic minorities of the Crimean peninsula, it explores the sonic diversity from this unique land.

The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.

No description available.

A strange night in a small town, illuminated by the town's lighthouse.

A family portrait session goes horribly wrong, as secrets and jealousy bubble to the surface under the photographer's watchful gaze.

A "remake" of No Time for Nuts (2006)

Short film narrating the luxuries of Madeira.

Interviews in a big Parisian hotel with actresses who had their hour of glory. These former movie stars each describe the character who made them famous and tell what they became.

Documentary about Giger's work for the movie Alien (1979).

Documentary images from a market in Falkenberg.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Winnie the Pooh and friends decide to throw a birthday celebration for gloomy, old Eeyore.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Following a brutal war, former soldier Van toils in a mine controlled by the ruling empire. One day, his solitary existence is upended when a pack of wild dogs carrying a deadly and incurable disease attack, leaving only Van and a young girl named Yuna as survivors. Finally free, the pair seek out a simple existence in the countryside but are pursued by nefarious forces. Intent on protecting Yuna at all costs, Van must uncover the true cause of the plague ravaging the kingdom—and its possible cure.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.